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Into The Labyrinth (1993) is Dead Can Dance’s sixth album, one of their most successful releases, its title a reference to the Greek legend of Theseus going into the Labyrinth to slay the Minotaur. It came when Brendan Perry and Lisa Gerrard had embarked on more individual personal paths, now writing their songs independent of one another, and on separate continents. Engineered and produced by Brendan at his Quivvy Church studio in Ireland, the album is an audiophile benchmark and also noted for being their first without any guests, instead they played all the instruments.
B**N
Dead can dance
I been a long time fan and got this cd on Amazon, Works great and new. I love it
O**K
Great Album...
First off, the wax is flat, surface noise is next to 0, and the sound is great. The cost was low and I could not resist to add it to my other DCD LP's, plus 2 tracks (previously released on A Passage in Time). Some are fans of the early releases for their dark beauty, others the experimentation and maturity of the later works. At every turn, DCD has evolved with every release and given us beautiful soundscapes for every age.
C**
Love DCD
One of my all-time favorite groups. This is a classic!
A**H
Hauntingly beautiful
Owned this album years ago, glad to reown it again. Love the music and learned what ubiquitous meant because of this album.
C**R
What you heard first makes all the difference.
I have been a DCD fan since the beginning. In fact, I heard their albums pretty much in the order in which they were released. The fit perfectly with the 4AD aesthetic along with bands of similar dreamy beauty with a splash of somber and contemplative nuance thrown in. It was an absolute formative recipe for many of us at the time, I am convinced that bands like the Cocteau Twins and Dead Can Dance had a tremendous impact on my own intellectual cultivation and aesthetic formation. When Within the Realm came out I was absolutely amazed. It was revelatory. And then Serpent's Egg, and then Aion -- these were all channeling something of a past that was familiar to me, whether it was an indirect evocation of antiquity or subtle hints at Medieval monasticism, it was there. So too were hints at Gregorian Chant, Palestrina, and some odd seasoning of goth rock. Being the fan that I was I got A Passage in Time when that came out, which collected highlights from all the aforementioned albums plus two new songs, Bird and Spirit. It would be an exaggeration to say that these two tracks were a radical departure, but they definitely were different than the remarkable first five albums. Jump ahead to Into the Labyrinth. To be completely honest, by the time this came out I was a bit sold on Shoegaze and Britpop, and so didn't get it, although I think I heard it from a friend. Only recently did I get it, and during a period of a serious return to listening to DCD and reflecting on what I loved so much about them. Everything I said before about the older albums is as much there as ever in my opinion. More than 30 years since I was a young guy getting inspired by them the feeling is still there for DCD unlike quite a lot of the stuff I listened to back in the day.But this album is, I think, a little different. It's a bit like that world music stuff that really started to get moving in the 90's, and which was never really wonderful. It was never bad, but then never great either. What saves this, I think, are the areas where DCD retain their form, and these are largely the Brendan Perry tracks. Or at least the ones on which he sings. I understand that they recording this album apart from one another. If so, perhaps that explains something. I don't know. But look, this is not a bad album at all, and I can see if this was the first DCD you ever heard you may have the exact opposite response, thinking the older stuff is dated, stiff, or too mired in a Neo-classical tinged goth melange. (I shudder at the goth description, but it is apt only as a loose category.) But gustibus non est disputandum, as is said; I just don't think DCD and tribal music are a good match.
J**.
Brilliant
This is a very unique group if you do not know Dead Can Dance.Mood music- very interesting compositions. A mix of tribal, celtic and new age. Such a great listening experience.
S**.
Boyfriend is happy
Bought for boyfriend, he's happy.
F**G
Probably their best album.
This might be my favorite DCD album,its right up there with "Spiritchaser" definitely.I don't really skip anything on here very much.Its the band at the peak of their creativity and performance, IMO.The additional musicians all sound great.Fantastic stuff.
P**A
Um tesouro musical do Dead Can Dance !!!!
Este álbum do Dead Can Dance é um tesouro musical. A faixa de abertura Yalunga é espetacular , bem como, todas as demais faixas. Recomendo !!!!
J**Z
Llega el producto en excelentes condiciones
Magnífico trabajo de la banda
P**I
Il disco più bello del mondo
Li adoro
M**A
Excelente
Excelente de principio a fin
T**S
Je le connaissais. Il est vraiment génial. Magnifique. Juste se laisser porter
Je l'ai acheté pour moi je l'avais mais je l'ai prêté et jamais revu
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منذ شهر
منذ 4 أيام