Poetics

This is fantastic. It's a classic of philosophy and communication. I've been meaning to purchase this foe my home library for years and now I have it.

Great

I was over thirty years of thinking what Shakespear meant by To Be or Not To Be. I guess I was not very culture minded, but between page 1 and 20 I got the answer to I was looking for over decennia. I am a writer, and since a few years I've switched towards writing for movies screens. English is not my mother language, so that's my excuss for bad spelling or grammar. Anyhow, the reasson why I gave four stars, is because of the sticky way of my reading in the content of the book. As I wrote above, English is not my mother tongue, and so I had made a long reading through this book. But as for me, it helps to give my character a better mantaince on the pages of my script: Poetics define the nature of morale in a character by the way way he is found to be in a place, dnd not where he says he shall be... The old To be or not to be line is finaly adapted in my way of thinking. More than I could describe what it is worth to know where Shakespear is comming from, I hope that my review lift a tip of the veil, if you are still in doubt to be purchasing or not to be purchasing...

First time reading this book I found it bewildering to understand but fascinating read, I still make time to glance now and then. ✨

Aristotle presents the timeless truths of narrative theory which are relevant and instructive for today! A must read for every serious student of literature, cinematography, or narrative writing in general.

I actually read an online version of this text provided by my teacher as part of my Introduction to Drama course, so this is not the same translation I'm writing about, but is the same work. I found the language to be difficult to follow at times, but there is certainly a lot of "meat" here. I could also recognize the importance of what was being said when it comes to analyzing drama and following its early evolution of form. I probably won't be reading it just for fun anytime soon, but I do feel it's an essential part of one's library if they wish to seriously study drama at all.

A good guide on how to write a story. Forget all this rising action/climax/falling action nonsense. Instead have a unity of action, a noble character or protagonist with a human failing. Have him make a tragic error (hamartia) which will lead to a peripeteia or reversal of fortune... good luck to bad luck. Let the plot become complicated with unforeseen consequences which will lead to disaster in which the main character suffers the most as a consequence of his foolish actions. Let the story finish with him understanding that he is the author of his own downfall (anagnorisis). Let the reader go away with a sense of pathos for the protagonist. Read Sophocles's Antigone and you will see this perfectly.

I was surprised at how readable this was. Artistotle's world was very different that ours is today. He talks of poetry and drama, which we think of as separate, as being the same thing. And of the addition of a second player in that drama as being an innovation. But his talk of the use of spectacle in poetry/drama made me think of the sometimes tiresome CGI spectacles in our modern movie dramas. His observations applied equally to his time and to our most current entertainment. He was the first to write down many of the principles of plot and character that sometimes seem so obvious as to not need mentioning. And then he'll use that obvious observation to provide an insight that might not otherwise be quite so clear. Some parts are just as relevant now as they ever were. Some parts are fascinating from an historical perspective, and made me wish I were more familiar with his chosen exemplars, like Aeschylus, Homer, and Euripides. Some parts are just cool, like his dissertation on metaphors, and how to construct them. And Some parts are more wholely of his time than ours. Readable, for the most part, and anyone who professes a love of writing should read this.