---
product_id: 1142917
title: "AF-S DX Nkr 18-200mm F/3.5-5.6G ED VR II"
brand: "nikon"
price: "KD 283.11"
currency: KWD
in_stock: true
reviews_count: 13
category: "Nikon"
url: https://www.desertcart.com.kw/products/1142917-af-s-dx-nkr-18-200mm-f-3-5-5
store_origin: KW
region: Kuwait
---

# 18-200mm ultra zoom range Silent Wave Motor for quiet AF VR II image stabilization (4 stops) AF-S DX Nkr 18-200mm F/3.5-5.6G ED VR II

**Brand:** nikon
**Price:** KD 283.11
**Availability:** ✅ In Stock

## Summary

> 📸 Elevate your photography game with the ultimate all-in-one zoom lens!

## Quick Answers

- **What is this?** AF-S DX Nkr 18-200mm F/3.5-5.6G ED VR II by nikon
- **How much does it cost?** KD 283.11 with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.com.kw](https://www.desertcart.com.kw/products/1142917-af-s-dx-nkr-18-200mm-f-3-5-5)

## Best For

- nikon enthusiasts

## Why This Product

- Trusted nikon brand quality
- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Key Features

- • **Lock & Load Zoom:** Zoom lock switch prevents lens creep during transport, so you’re always ready to shoot without fuss or delay.
- • **Compact Powerhouse:** Despite its high zoom ratio, this lens remains compact and lightweight (565g), making it the ideal travel companion for the on-the-go creative.
- • **Steady Shots, Always:** Advanced VR II stabilization compensates for up to 4 stops of camera shake—capture crisp images even on the move or in low light.
- • **Whisper-Quiet Autofocus:** Nikon’s Silent Wave Motor ensures fast, precise, and near-silent focusing—perfect for professional environments and discreet shooting.
- • **One Lens to Rule Them All:** Versatile 11.1x zoom covers wide-angle to telephoto (18-200mm) for every shot, from sweeping landscapes to intimate portraits.

## Overview

The Nikon AF-S DX NIKKOR 18-200mm f/3.5-5.6G ED VR II is a high-performance, ultra-wide zoom lens designed for Nikon DX-format DSLRs. Featuring an 11.1x zoom range (18-200mm), advanced VR II image stabilization that compensates for up to 4 stops of shake, and a Silent Wave Motor for fast, quiet autofocus, this compact 565g lens delivers versatile, sharp images across diverse shooting scenarios. Its zoom lock switch prevents lens creep, making it a reliable, all-in-one solution for professionals and enthusiasts seeking convenience without compromising quality.

## Description

New ultra-high ratio zoom lens AF-S DX NIKKOR 18-200mm f/3.5-5.6G ED VR II for use expressly with Nikon DX-format digital-SLR cameras. Dimensions (DxL) Approx. 3.0 x 3.8" (7.62 x 9.65 cm).A number of unique Nikon technologies have been developed for, and applied to, including a high zoom magnification of 11.1x, a Vibration Reduction (VR II) image stabilization system that provides camera shake compensation equivalent to increases in shutter speed by four stops, and a Silent Wave Motor (SWM), as well as a zoom lock switch. Designed expressly for use with Nikon digital-SLR cameras, exceptional image performance is assured. As the compact AF-S DX NIKKOR 18-200mm f/3.5-5.6G ED VR II covers an extremely wide range of focal lengths (18-200mm, equivalent to 27-300mm in 35mm format; a zoom magnification of 11.1x), it offers excellent versatility for various scenes that include portraits and landscapes. The addition of a zoom lock switch allows photographers to secure the lens barrel at its minimum length, eliminating the natural gravitational effect that can draw the barrel downward during transport. This lens offers superior optical performance in a compact size of just 77 x 96.5 mm, despite a high zoom magnification of 11.1x. Nikon's Silent Wave Motor (SWM) assures fast and quiet autofocusing. The Vibration Reduction system (VR II) provides camera shake compensation equivalent to increases in shutter speed by four steps. What’s in the box: Nikon AF-S DX NIKKOR 18-200mm f/3.5-5.6G ED VR II Zoom Lens, 72mm Snap-On Lens Cap, LF-1 Rear Lens Cap for F Mount Lenses, HB-35 Lens Hood, CL-1018 Lens Case, 1-Year Nikon Warranty (5-Year Extension is Available After Registration with Nikon).

Review: Excellent all around lens - There have been a lot of reviews from guru to new users, so I am just try to cover some points from my 2 cents. I am a new DSLR user just purchased the D7000 with this lens. I did extensive research on the Internet prior to getting this combo. My goal is to get an intro lens while learning DSLR photography and it turn out to be a very good choice. First and foremost, there has to be some sort of compromise when it comes to any "all around" stuffs. I believed most of the negative comments I've seen here are due to the wrong expectations and lack of prior homework. This lens is in the consumer category and not designed to match those at the Pro level, both quality and price wise. And I think it does just that and some more. Basically, each and every lens have specific goals such as landscape, portrait or macro, etc. But I am not sure I am going to shell out thousands of dollar and keep changing lens, not to mention hauling the gears on vacations. I'll leave that to the Pros. One thing for sure, this lens beats any point and shoot camera hands down in terms of picture quality and even give you minor bokeh effects. So I am very happy with it. A side note, make sure you get it from an authorized dealer which will give you a 5-years warranty, Nikon is know to be strict with this. Update: tested with the "zoom creep" somebody complains about. There is no creeping up to around 50 degrees up or down. Lens does creep at straight up or down but that's normal consider the glass is heavy. By the way, good glass is heavy and give you nice pictures. Now, what are the chances that you might be shooting in those positions? At wide open or close (at 18mm or 200mm), lens appears as lock so does not creep. The only occasion I use to shoot straight up is for firework, but then I want to fill the frame with the firework action, which means it will at 200mm and the lens stays. If you get a copy that creeps below 45 degrees, you might get a bad copy. Update 2: After 3 months of owning this and taken it to weddings and landscape shooting, I can safely say this is indeed the best "all rounder". It performs very well and takes very sharp pictures 80% of the time. There is an issue with low light situations such as wedding dinner. You have two choices, get a prime such as 35mm f/1.8 or a good flash such as SB-700. With a little post processing in Adobe, you can achieve result very close to the pro level. For example, I can underexpose 2 full stops and fix it in Adobe later, that equivalent to f/1.8 from f/3.5, the lowest aperture of this lens. One more thing, I have spent awful lot of time to research and review the various lens (Nikon, Sigma & Tamron) in the past few months to figure out what if other lens I should get. I believe a lot of people are just too obsessed about the technical details and forgotten the other aspect of photography, composition, in my opinion carries a higher impact in the overall picture. By the way, if you were to compare simply the picture quality of this with wide, prime and zoom lens, that is not an apple to apple comparison. Prime lens tends to provide better quality within their own turf, with the trade off buying, carrying and changing lens all the time, not to mention the chance to miss the shot when you have to change lens.
Review: Could it be any better? - I have been a photography enthusiast for many years, and a user of Canon and Nikon equipment since the days of the Nikon F. My comments are based on nearly 60 years of picture-taking, not lab tests. Though I have used a few lenses that may have done some particular thing better than the 18-200 VRII, this is by far the best all-around lens I have ever used. Presently my wife and I are using a D-60 and a D-90. About six months ago I bought the first 18-200 to use on the D-90, and my wife was using the D-60 with a Nikon 18-105 VR that was originally part of the D-90 kit. I feel that the 18-105 is a fine lens in terms of IQ, and is a compact design for it's range, but my wife was instantly coveting my 18-200VR. The extra reach makes a world of difference, and I believe the VR is more effective than that in the 18-105. We had a great opportunity to compare the VR capability on the violent Jungle Safari ride at Disney's Animal Kingdom. I was afraid the lurching, jouncing, swaying safari vehicle would make photography impossible, but we pressed on regardless. We were amazed that a majority of the shots were sharp and focused! Not always with the subject we had in mind, but we were also trying not to fall out of the truck! We examined these pictures carefully, and have the opinion that the "active" mode of VR on the 18-200 may have made a difference, though not by a huge amount. The higher performance of the D-90 relative to noise vs ISO may have also been a factor compared to the 18-105 on the D-60. Very impressive performance by both setups. Now you can go on vacation and take one lens. Needless to say, this "capability gap" could not continue, and I have since purchased a second 18-200 VRII for my wife's camera. If I had to be picky about anything, it would be the zoom creep. Both the 18-105 and my first 18-200 would creep if not retracted to 18mm. Yes, there is a zoom lock on the 18-200 VRII, but I rarely use it, as setting the lens to 18mm while walking around solves the problem. The second 18-200 does not creep at all, but may loosen up with time. We'll see. To me, this is in no way a deal breaker, but I felt I should mention it, since so many others have been critical of the creep. All I can say is, retract to 18mm and it will stay there. It's just not something you have to worry about. Image quality is so close to that of even my prime lenses as to be amazing for all that moving glass and machinery! Most distortions and CA's are taken care of in software, so are pretty much a non-issue. I use Photoshop, and Nikon Capture NX2, the latter being my preference in the ease-of-use department, and it understands the characteristics of the lens and camera. I even do a certain amount of pixel-peeping, and have never felt that the 18-200VR was lacking in any way. When I have a bad picture, it is the fault of the photographer, not the equipment. The pros: Focus is fast and accurate, even in poor light. Zoom range covers everything most folks will ever need. Image quality is fine throughout the zoom range. Compact for it's range. Is an absolute delight to use. The cons: Your sample may or may not creep, but so what? Though it's compact for this type of lens, it is still a lot to hang on the front of a D-40 or D-60. I asked my wife if she'd prefer a lighter lens. Not a chance! Conclusion: Would I buy another one? I already did!

## Features

- One-lens solution adept in a wide variety of situations
- Focal length range: 18 -200 millimeter, minimum focus distance: 1.6 feet.
- Two extra-low Dispersion (ED) elements; Three aspherical lens elements
- Exclusive Nikon Silent Wave Motor (SWM), Nikon VR II (vibration reduction) image stabilization
- Focus to 20 inches for extended versatility, filter thread: 72 millimeter. Maximum angle of view (dx-format) 76°. Minimum angle of view (DX-format) 8°. Accepts filter type: Screw-on

## Technical Specifications

| Specification | Value |
|---------------|-------|
| ASIN | B002JCSV8A |
| Aspect Ratio | 4:3 |
| Audio Recording | No |
| Best Sellers Rank | #742 in SLR Camera Lenses |
| Brand | Nikon |
| Built-In Media | AF-S DX NIKKOR 18-200mm f/3.5-5.6G ED Vibration Reduction II Zoom Lens for Nikon DSLR Cameras, CL-1018 Soft Case, HB-35 Bayonet Lens Hood, LC-72 Snap-on Front Lens Cap, LF-4 Rear Lens Cap |
| Camera Lens | AF-S DX Nkr 18-200mm F/3.5-5.6G ED VR II |
| Camera Lens Description | AF-S DX Nkr 18-200mm F/3.5-5.6G ED VR II |
| Color | Black |
| Compatible Camera Mount | Nikon F (DX) |
| Compatible Devices | Nikon Cameras, Nikon Digital SLRs |
| Compatible Mountings | Nikon F (DX) |
| Continuous shooting speed | 5 FPS |
| Customer Reviews | 4.5 out of 5 stars 1,160 Reviews |
| Effective Still Resolution | 30.4 MP |
| Exposure Control Type | Automatic |
| File Format | JPEG, RAW |
| Focal Length Description | 18-200 millimeters |
| Focus Type | Ultrasonic |
| Global Trade Identification Number | 00018208021925 |
| Has Self-Timer | No |
| Image stabilization | Vibration reduction (VR II) up to 4 stops |
| Item Part Number | JAA813DA |
| Item Weight | 565 Grams |
| Lens | Telephoto |
| Lens Coating Description | Super Integrated Coating |
| Lens Design | Zoom |
| Lens Fixed Focal Length | 200 Millimeters |
| Lens Mount | Nikon F |
| Lens Type | Telephoto |
| Manufacturer | Nikon |
| Manufacturer Part Number | 2192 |
| Maximum Aperture | 5.6 Millimeters |
| Maximum Focal Length | 200 Millimeters |
| Maximum Shutter Speed | 1/750 seconds |
| Media Type | ProductImage |
| Minimum Aperture | 36 |
| Minimum Focal Length | 18 Millimeters |
| Minimum Shutter Speed | 0.25 seconds |
| Model Name | 2192 |
| Model Number | 2192 |
| Number of Diaphragm Blades | 7 |
| Photo Filter Size | 77 Millimeters |
| Real Angle Of View | 76 Degrees |
| Self Timer Duration | 10 Seconds, 2 Seconds |
| Shooting Modes | Bulb Mode,Aperture Priority, Auto, Manual, Shutter Priority |
| UPC | 018208021925 |
| Unit Count | 1.0 Count |
| Video Capture Resolution | 1080p |
| Viewfinder Type | Optical (Pentaprism) |
| Warranty Description | 1 year coverage for labor, 1 year coverage for parts, This warranty doesn't apply to the batteries and software driver that accompany this product |
| Water Resistance Level | Not Water Resistant |
| Zoom Ratio | 1:11 |

## Product Details

- **Brand:** Nikon
- **Camera Lens Description:** AF-S DX Nkr 18-200mm F/3.5-5.6G ED VR II
- **Compatible Mountings:** Nikon F (DX)
- **Focal Length Description:** 18-200 millimeters
- **Lens Type:** Telephoto

## Images

![AF-S DX Nkr 18-200mm F/3.5-5.6G ED VR II - Image 1](https://m.media-amazon.com/images/I/81mfwR8WnFL.jpg)
![AF-S DX Nkr 18-200mm F/3.5-5.6G ED VR II - Image 2](https://m.media-amazon.com/images/I/51rpuorGGzL.jpg)
![AF-S DX Nkr 18-200mm F/3.5-5.6G ED VR II - Image 3](https://m.media-amazon.com/images/I/61OqwQ5nKWL.jpg)
![AF-S DX Nkr 18-200mm F/3.5-5.6G ED VR II - Image 4](https://m.media-amazon.com/images/I/71+p5cmWB5L.jpg)
![AF-S DX Nkr 18-200mm F/3.5-5.6G ED VR II - Image 5](https://m.media-amazon.com/images/I/41GTdwdlBWL.jpg)

## Available Options

This product comes in different **Color** options.

## Questions & Answers

**Q: Will the nikkor work with the nikon D3100?**
A: Every Nikon lens made since 1977 works on every Nikon being made currently. It's a great walk around lens but it's a little heavy. The weight makes it easier to shoot with though since you have to use a good two-handed grip.

**Q: 18-200mm vs 18-300mm - which one would you suggest?**
A: Depends on what you are planning to use the lens for. If you are into wildlife photography then you may need the 18-300.The 18-200 is a pretty compact lens while the 18-300 is huge and weighs about 10 more ounces. Check out this link to see the relative sizes..........http://kenrockwell.com/nikon/comparisons/DX-super-zooms/index.htmAs far as Leon's criticism of this lens is concerned I would definitely not call this a poor lens. Just keep in mind that as with any superzoom there are compromises that have to be made. It would not be fair to compare the sharpness of this lens with a prime lens or with a pro quality zoom lens like the 24-70 f/2.8. So if you are into pixel peeping you will be disappointed. This is a good walk about lens that lets you capture a variety of scenes without having to change lens. This is not a fast lens and needs good lighting to capture good photographs. In summary if you are looking for a portrait lens look elsewhere but if you are looking for a lens that you can travel with and capture vacation memories then the flexibility that this lens provides you is excellent.

**Q: does this fit on a D 5300 Nikon**
A: Yes.  I use in on a 5100 and 5500.

**Q: How does this lens compare to the Nikon 18-105mm f/3.5-5.6 AF-S DX VR ED Nikkor Lens that comes as the kit lens with the D90?**
A: i use both the 105 and the 200 and my 200 is my go to every day lens. both are good but i just prefer the 200. hope this helps. distortion is equal on both lens so no real differences noted.

## Customer Reviews

### ⭐⭐⭐⭐⭐ Excellent all around lens
*by C***Y on January 21, 2011*

There have been a lot of reviews from guru to new users, so I am just try to cover some points from my 2 cents. I am a new DSLR user just purchased the D7000 with this lens. I did extensive research on the Internet prior to getting this combo. My goal is to get an intro lens while learning DSLR photography and it turn out to be a very good choice. First and foremost, there has to be some sort of compromise when it comes to any "all around" stuffs. I believed most of the negative comments I've seen here are due to the wrong expectations and lack of prior homework. This lens is in the consumer category and not designed to match those at the Pro level, both quality and price wise. And I think it does just that and some more. Basically, each and every lens have specific goals such as landscape, portrait or macro, etc. But I am not sure I am going to shell out thousands of dollar and keep changing lens, not to mention hauling the gears on vacations. I'll leave that to the Pros. One thing for sure, this lens beats any point and shoot camera hands down in terms of picture quality and even give you minor bokeh effects. So I am very happy with it. A side note, make sure you get it from an authorized dealer which will give you a 5-years warranty, Nikon is know to be strict with this. Update: tested with the "zoom creep" somebody complains about. There is no creeping up to around 50 degrees up or down. Lens does creep at straight up or down but that's normal consider the glass is heavy. By the way, good glass is heavy and give you nice pictures. Now, what are the chances that you might be shooting in those positions? At wide open or close (at 18mm or 200mm), lens appears as lock so does not creep. The only occasion I use to shoot straight up is for firework, but then I want to fill the frame with the firework action, which means it will at 200mm and the lens stays. If you get a copy that creeps below 45 degrees, you might get a bad copy. Update 2: After 3 months of owning this and taken it to weddings and landscape shooting, I can safely say this is indeed the best "all rounder". It performs very well and takes very sharp pictures 80% of the time. There is an issue with low light situations such as wedding dinner. You have two choices, get a prime such as 35mm f/1.8 or a good flash such as SB-700. With a little post processing in Adobe, you can achieve result very close to the pro level. For example, I can underexpose 2 full stops and fix it in Adobe later, that equivalent to f/1.8 from f/3.5, the lowest aperture of this lens. One more thing, I have spent awful lot of time to research and review the various lens (Nikon, Sigma & Tamron) in the past few months to figure out what if other lens I should get. I believe a lot of people are just too obsessed about the technical details and forgotten the other aspect of photography, composition, in my opinion carries a higher impact in the overall picture. By the way, if you were to compare simply the picture quality of this with wide, prime and zoom lens, that is not an apple to apple comparison. Prime lens tends to provide better quality within their own turf, with the trade off buying, carrying and changing lens all the time, not to mention the chance to miss the shot when you have to change lens.

### ⭐⭐⭐⭐⭐ Could it be any better?
*by D***T on March 11, 2010*

I have been a photography enthusiast for many years, and a user of Canon and Nikon equipment since the days of the Nikon F. My comments are based on nearly 60 years of picture-taking, not lab tests. Though I have used a few lenses that may have done some particular thing better than the 18-200 VRII, this is by far the best all-around lens I have ever used. Presently my wife and I are using a D-60 and a D-90. About six months ago I bought the first 18-200 to use on the D-90, and my wife was using the D-60 with a Nikon 18-105 VR that was originally part of the D-90 kit. I feel that the 18-105 is a fine lens in terms of IQ, and is a compact design for it's range, but my wife was instantly coveting my 18-200VR. The extra reach makes a world of difference, and I believe the VR is more effective than that in the 18-105. We had a great opportunity to compare the VR capability on the violent Jungle Safari ride at Disney's Animal Kingdom. I was afraid the lurching, jouncing, swaying safari vehicle would make photography impossible, but we pressed on regardless. We were amazed that a majority of the shots were sharp and focused! Not always with the subject we had in mind, but we were also trying not to fall out of the truck! We examined these pictures carefully, and have the opinion that the "active" mode of VR on the 18-200 may have made a difference, though not by a huge amount. The higher performance of the D-90 relative to noise vs ISO may have also been a factor compared to the 18-105 on the D-60. Very impressive performance by both setups. Now you can go on vacation and take one lens. Needless to say, this "capability gap" could not continue, and I have since purchased a second 18-200 VRII for my wife's camera. If I had to be picky about anything, it would be the zoom creep. Both the 18-105 and my first 18-200 would creep if not retracted to 18mm. Yes, there is a zoom lock on the 18-200 VRII, but I rarely use it, as setting the lens to 18mm while walking around solves the problem. The second 18-200 does not creep at all, but may loosen up with time. We'll see. To me, this is in no way a deal breaker, but I felt I should mention it, since so many others have been critical of the creep. All I can say is, retract to 18mm and it will stay there. It's just not something you have to worry about. Image quality is so close to that of even my prime lenses as to be amazing for all that moving glass and machinery! Most distortions and CA's are taken care of in software, so are pretty much a non-issue. I use Photoshop, and Nikon Capture NX2, the latter being my preference in the ease-of-use department, and it understands the characteristics of the lens and camera. I even do a certain amount of pixel-peeping, and have never felt that the 18-200VR was lacking in any way. When I have a bad picture, it is the fault of the photographer, not the equipment. The pros: Focus is fast and accurate, even in poor light. Zoom range covers everything most folks will ever need. Image quality is fine throughout the zoom range. Compact for it's range. Is an absolute delight to use. The cons: Your sample may or may not creep, but so what? Though it's compact for this type of lens, it is still a lot to hang on the front of a D-40 or D-60. I asked my wife if she'd prefer a lighter lens. Not a chance! Conclusion: Would I buy another one? I already did!

### ⭐⭐⭐⭐⭐ For the most people - the best lense you can get
*by A***R on December 31, 2009*

There are a lot of reviews comparing every feature of the lense. They are long, detailed, but more confusing than helpful. So I'll try to keep it short. Let's say you a typical amature photographer. You take all kinds of pictures in all kinds of conditions. So what lense would be the best? You can probably live with some minor distortions but nothing gives you as much freedom as a wide range zoom. If you shoot inside a room, you really need 18 m on a low end. The smaller the number the wider the angle and the more people you can squeeze into the frame from the other side of party table. Every mm here makes a big difference. So 18 mm on the low end is pretty much a must have. On the longer end, well, the bigger the better. However, if you that also means heavier and it also means much harder to take good pictures because on a long zoom range the camera gets less light, it's sensitive to shaking hands and the lense distortion is getting worse. Also it's more expensive. So bottom line is - if you can afford the Nikon 18-200 mm lense - go for it. That will be your single all around lense and you won't feel sorry. If it's too pricey - check out the 18-105 mm one. Think about it this way - there are a lot of specialized lenses but really only a few all-around ones. So 80% people really need to choose between only 3: 18-55, 18-105 and 18-200 and the biggest factor here is how much you can afford. So it's actually not that complicated. I few side notes. It's tempting to buy a couple lenses instead of one. It looks like you're getting more for less, but in reality changing lenses is not something people do often. The extra lense is heavy, it takes time to change, every time you take a lense off, there is a risk you can get dust inside the camera - there are a lot of reasons why having two lenses is not the same as one. Other vendors. You can get much cheaper lenses from other vendors like Sigma etc. I heard mixed stories. Some people got lucky and got good glass, some were not. If you can try and buy, you may want to take a chance. But Nikon quality control is pretty good, so there is not much risk there. Protective filter. If you're planning to spend many hundreds on a lense, please, don't forget to buy a good protective filter. Something like UV(0) or clear glass. Once you try to wipe out the glass on the lense, the microscratches on surfice will cause all kinds of image defects so you should never ever touch the lense glass. The filter is way more forgiving and it can be replaced easily. A bad filter can ruine the quality, so don't be cheap, plan to spend somewhere in $50-90 range. And finally, why would you not buy this lense? 1. Price. Most people say this lense is nice but too expensive. Since there are new better camera bodies for the same price coming out pretty much every year and the lenses hold value very well I'd suggest you to consider buying the best lense you can afford and maybe saving a bit on a cheaper body. The lense will likely outlast the camera. 2. Weight. This camera is heavy. No DSLR will fit in a pocket but this lense on a camera will require fairly large bag to carry and holding it on your shoulder for a day could literally be painful. There could be some other reasons like if your requirements are very high and you need some specialized or professional grade lenses but if you're requirements are that high, I don't think that review will open your eyes anyway. Hopefully this review will help you.

## Frequently Bought Together

- AF-S DX Nkr 18-200mm F/3.5-5.6G ED VR II
- Amazon Basics UV Protection Camera Lens Filter - 72mm
- Amazon Basics Circular Polarizer Camera Lens Filter - 72 mm

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