---
product_id: 6925939
title: "TASCAM 4-Channel Portable Audio Recorder for Videographers, 2 Combo XLR/TRS\", Dual 3.5mm Inputs, Limiter, HP Filter (DR-60DmkII)"
brand: "tascam"
price: "KD 88.30"
currency: KWD
in_stock: true
reviews_count: 8
category: "Tascam"
url: https://www.desertcart.com.kw/products/6925939-tascam-4-channel-portable-audio-recorder-for-videographers-2-combo
store_origin: KW
region: Kuwait
---

# 96kHz/24-bit WAV high-res capture 64dB low-noise HDDA preamps 4-channel simultaneous recording TASCAM 4-Channel Portable Audio Recorder for Videographers, 2 Combo XLR/TRS", Dual 3.5mm Inputs, Limiter, HP Filter (DR-60DmkII)

**Brand:** tascam
**Price:** KD 88.30
**Availability:** ✅ In Stock

## Summary

> 🎧 Capture Every Detail, Command Every Scene

## Quick Answers

- **What is this?** TASCAM 4-Channel Portable Audio Recorder for Videographers, 2 Combo XLR/TRS", Dual 3.5mm Inputs, Limiter, HP Filter (DR-60DmkII) by tascam
- **How much does it cost?** KD 88.30 with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.com.kw](https://www.desertcart.com.kw/products/6925939-tascam-4-channel-portable-audio-recorder-for-videographers-2-combo)

## Best For

- tascam enthusiasts

## Why This Product

- Trusted tascam brand quality
- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Key Features

- • **Versatile Input Options:** Dual combo XLR/TRS and 3.5mm inputs support everything from wireless lavaliers to professional mics—flexibility that fits your creative flow.
- • **Compact Powerhouse Design:** Fits seamlessly under your DSLR rig, combining portability with rugged durability for on-the-go pros.
- • **Reliable Backup & Redundancy:** Dedicated hardware recording to SD card means your audio is safe even if your computer crashes—peace of mind for every shoot.
- • **Pro-Level Multi-Track Mastery:** Record 4 channels simultaneously with pristine clarity—never miss a beat in your DSLR rig setup.
- • **Crystal-Clear Audio with Ultra-Low Noise:** Upgraded HDDA preamps deliver up to 64dB gain with minimal noise, ensuring your sound is always studio-grade.

## Overview

The TASCAM DR-60DmkII is a compact, professional-grade 4-channel portable audio recorder designed for videographers and content creators. It supports simultaneous multi-track recording at up to 96kHz/24-bit WAV quality, features ultra-low noise HDDA preamps with 64dB gain, and offers versatile input options including combo XLR/TRS and dual 3.5mm jacks. Built to fit perfectly under DSLR rigs, it ensures reliable, high-fidelity audio capture with hardware redundancy, making it an essential tool for elevating your production quality.

## Description

Buy TASCAM 4-Channel Portable Audio Recorder for Videographers, 2 Combo XLR/TRS", Dual 3.5mm Inputs, Limiter, HP Filter (DR-60DmkII): Portable Recorders - desertcart.com ✓ FREE DELIVERY possible on eligible purchases

Review: Professional Redundancy and Crystal Clear Audio Capture - The Setup: The Tascam DR-60D MKII is the final piece of my recording chain. I feed the main outputs from my Pyle 12-Channel Mixer directly into the Tascam. This allows me to capture everything—my Rode Procaster (boosted by Triton FetHeads), my Numark Mixtrack Platinum, and live phone calls—all onto a high-speed SD card. ​Why It’s Essential for My Workflow: ​Redundancy: Even though I run my podcast through a PC, I never trust a computer alone. The DR-60D MKII gives me a dedicated hardware backup. If my PC lags or the software crashes, the Tascam keeps rolling with uncompressed, professional audio. ​Clean Preamps: While my FetHeads do the heavy lifting for the mics, the Tascam's HDDA preamps ensure that the line-level signal coming from the mixer remains pristine with massive headroom. ​Ease of Use: The physical gain knobs and "one-touch" recording make it much faster to adjust on the fly than clicking through software menus during a live show. ​Design & Portability: The tripod mount on the top and bottom is a great touch. It fits perfectly into my studio rig, but it’s also small enough that I could take it on the road with my Deity V-Mic D4 Minis and Canon M50 for a mobile interview setup. It’s built like a tank and handles the daily grind of podcasting and DJing without a hiccup. ​Final Verdict: For any serious creator, the Tascam DR-60D MKII is the best way to move from "hobbyist" to "professional." It provides the peace of mind that your audio is always being captured in the highest possible quality.
Review: Tascam DR-60DmkII nice enhancement over DR-60D and big jump up from DR-40, BP-6AA is essential! - The Tascam DR-60DmkII includes enhanced pre-amps that are good enough not to not introduce any measurable noise on battery power with a quiet room and a Pyle podium mic that requires High mic gain setting. However using a USB to 5v adapter (not the Tascam adapter) did introduce noise. For this reason, I am using a BP-6AA identical to the one used on a Tascam DR-40 recorder installed in a church recording system. Though we can run the DR-40 or this DR-60DmkII off external USB port power, noise levels are typically much lower using the BP-6AA which I'll review separately. With such a low noise recorder, and with the BP-6AA using tripod mounts to attach to the top or base of the recorder, no brainer upgrade from 2+ yr old Tascam DR-40! Here are our usual pros and cons: Pros: + lower noise, higher gain pre-amps than prior model DR-60D + safety track record feature is a lifesaver when initial gain settings are too high! (DR-40 has this feature, too) + consistent menus and operation to prior generations of Tascam DR series including when power or computer is externally attached via USB port + available BP-6AA external battery pack gives reasonable life for rechargeable NiMH batteries, but see below... + Broadcast Wave File (BWF) support - can be a lifesaver when merging audio and video from different recorders. To effectively use, you should keep the clock set correctly. Cons: - drains batteries rapidly compared to comparable Zoom or lower end Tascam DR series recorders - no integral MP3 compression, implying you shouldn't use compression with such a high end recorder! I'd like to make that decision!! - there should be a Li Ion external equivalent bolt-on like the BP-6AA instead of lower capacity and bulkier BP-6AA with NiMH batteries! - might want to think twice about putting a relatively heavy DSLR on top of recorder as shown in photos! This puts a lot of strain on the tripod mount in the bottom of recorder; just don't do it if a BP-6AA is used! - menus can be a bit confusing for the uninitiated and this generation manual is not as helpful as prior generations. Look for YouTube tutorials! I was going to put a small shotgun mic on top with a 1/4" to 5/8" adapter, but realized the DR-60DmkII + BP-6AA underneath + mic on top is not very stable. Better to use either a two-in-one bar tripod adapter or multiple tripods adjacent to one another. If a BP-6AA pack is mounted on top with nothing mounted on top of BP-6AA, then BP-6AA batteries may be changed without impacting setup. The DR-60DmkII batteries are accessible, but it isn't easy to pop them in the rear while the whole setup is sitting upright. Edited 07-31: Beware of open box items marketed as "new". I received one from a vendor sold as new that showed a bit of wear on the rear battery cover and underside. However, the style of packaging for this Tascam makes it difficult to tell whether this is a new, returned, or open box item! I have seen some "unboxing" videos on YouTube and this is the first Tascam DR series I've purchased that doesn't come in a sealed box with a plastic protector for the display and a sealed (at least taped) poly bag holding the recorder. I have seen this style of packaging on "professional" gear before. So how are we as consumers to tell whether an item is an "open box" or return? TEAC/Tascam saved perhaps a few pennies but it would be great to go back to providing a screen protector and tape the poly bags!

## Features

- Fits perfectly under a DSLR camera rig, without relying on bulky recorders or the limits of the camera’s microphone in
- Record up to 4 channels at a time to the internal SD Card, at up to 96kHz/24-bit WAV file resolution
- Two mic inputs utilize locking XLR connectors with 48V phantom power; the other two use a 1/8” stereo connector for wireless and lav mics
- The channel 3/4 input connector supports a high-level maximum input – up to +10dBV
- The upgraded HDDA preamps provide up to 64dB of gain and some of the lowest noise levels available

## Technical Specifications

| Specification | Value |
|---------------|-------|
| ASIN | B00MIXFBL0 |
| Batteries | 4 AA batteries required. |
| Battery type | Alkaline |
| Best Sellers Rank | #12,541 in Musical Instruments ( See Top 100 in Musical Instruments ) #14 in Digital Multitrack Recorders |
| Color Name | Black |
| Compatible Devices | MP3 Player |
| Customer Reviews | 4.5 4.5 out of 5 stars (1,077) |
| Date First Available | September 15, 2014 |
| Hardware Interface | SDHC, Secure Digital Card |
| Is Discontinued By Manufacturer | No |
| Item Weight | 1.12 pounds |
| Item model number | DR-60DMK2 |
| Media Format | WAV |
| Product Dimensions | 3.07 x 5.24 x 3.67 inches |
| Size | 3.67 x 5.24 x 3.07 inches |
| Standing screen display size | 1.75 |

## Product Details

- **Brand:** Tascam
- **Compatible Devices:** MP3 Player
- **Format:** WAV
- **Hardware Interface:** SDHC, Secure Digital Card
- **Headphones Jack:** 3.5 millimeters
- **Item Weight:** 1.12 Pounds
- **Memory Storage Capacity:** 64 MB
- **Microphone Form Factor:** Built-In
- **Number of Batteries:** 4 AA batteries required.
- **Screen Size:** 1.75

## Images

![TASCAM 4-Channel Portable Audio Recorder for Videographers, 2 Combo XLR/TRS", Dual 3.5mm Inputs, Limiter, HP Filter (DR-60DmkII) - Image 1](https://m.media-amazon.com/images/I/61xuo-tSN-L.jpg)

## Questions & Answers

**Q: What's a good USB battery pack to pair with this?**
A: Right now I use the Blackwed, model # BWB15TA223, it's a 8000mAh bank. Was able to get a few good hours out of it.

**Q: Will this internally record four discrete channels (One for each input) or does it automaticaly down mix into stereo?**
A: The Tascam DR-60DMKII can record 4 independent channels. These output into two stereo recording files as CH1/2 and CH3/4.

**Q: I have a problem with the 60D not working with rechargeable batteries, even after changing the battery settings. Anyone else have this? Know of a fix?**
A: A small number of the early production runs had this problem. There is nothing to do but return for exchange. I bought 6 of these for our department, one of them had this problem. The alkaline/NiMH setting in the menu has nothing to do with this - the different battery chemistries have different discharge curves - the setting merely insures that the 'battery remaining' indicator is accurate. I'm not certain what causes the problem but my guess is the difference between the 1.5V alk. and the 1.2V NiMH. Just a guess.

**Q: Says it does 4 channel recording. It takes 4 individual channels and combines them to 2 stereo channels.  Is there a way to maintain 4 separate channe**
A: Pretty much any audio editing program will allow you to separate the left and right channels and then save them separately. Just make sure you save them in the same format that they were recorded in. Im pretty sure reaper is still free.

## Customer Reviews

### ⭐⭐⭐⭐⭐ Professional Redundancy and Crystal Clear Audio Capture
*by S***H on December 24, 2025*

The Setup: The Tascam DR-60D MKII is the final piece of my recording chain. I feed the main outputs from my Pyle 12-Channel Mixer directly into the Tascam. This allows me to capture everything—my Rode Procaster (boosted by Triton FetHeads), my Numark Mixtrack Platinum, and live phone calls—all onto a high-speed SD card. ​Why It’s Essential for My Workflow: ​Redundancy: Even though I run my podcast through a PC, I never trust a computer alone. The DR-60D MKII gives me a dedicated hardware backup. If my PC lags or the software crashes, the Tascam keeps rolling with uncompressed, professional audio. ​Clean Preamps: While my FetHeads do the heavy lifting for the mics, the Tascam's HDDA preamps ensure that the line-level signal coming from the mixer remains pristine with massive headroom. ​Ease of Use: The physical gain knobs and "one-touch" recording make it much faster to adjust on the fly than clicking through software menus during a live show. ​Design & Portability: The tripod mount on the top and bottom is a great touch. It fits perfectly into my studio rig, but it’s also small enough that I could take it on the road with my Deity V-Mic D4 Minis and Canon M50 for a mobile interview setup. It’s built like a tank and handles the daily grind of podcasting and DJing without a hiccup. ​Final Verdict: For any serious creator, the Tascam DR-60D MKII is the best way to move from "hobbyist" to "professional." It provides the peace of mind that your audio is always being captured in the highest possible quality.

### ⭐⭐⭐⭐⭐ Tascam DR-60DmkII nice enhancement over DR-60D and big jump up from DR-40, BP-6AA is essential!
*by M***H on July 30, 2015*

The Tascam DR-60DmkII includes enhanced pre-amps that are good enough not to not introduce any measurable noise on battery power with a quiet room and a Pyle podium mic that requires High mic gain setting. However using a USB to 5v adapter (not the Tascam adapter) did introduce noise. For this reason, I am using a BP-6AA identical to the one used on a Tascam DR-40 recorder installed in a church recording system. Though we can run the DR-40 or this DR-60DmkII off external USB port power, noise levels are typically much lower using the BP-6AA which I'll review separately. With such a low noise recorder, and with the BP-6AA using tripod mounts to attach to the top or base of the recorder, no brainer upgrade from 2+ yr old Tascam DR-40! Here are our usual pros and cons: Pros: + lower noise, higher gain pre-amps than prior model DR-60D + safety track record feature is a lifesaver when initial gain settings are too high! (DR-40 has this feature, too) + consistent menus and operation to prior generations of Tascam DR series including when power or computer is externally attached via USB port + available BP-6AA external battery pack gives reasonable life for rechargeable NiMH batteries, but see below... + Broadcast Wave File (BWF) support - can be a lifesaver when merging audio and video from different recorders. To effectively use, you should keep the clock set correctly. Cons: - drains batteries rapidly compared to comparable Zoom or lower end Tascam DR series recorders - no integral MP3 compression, implying you shouldn't use compression with such a high end recorder! I'd like to make that decision!! - there should be a Li Ion external equivalent bolt-on like the BP-6AA instead of lower capacity and bulkier BP-6AA with NiMH batteries! - might want to think twice about putting a relatively heavy DSLR on top of recorder as shown in photos! This puts a lot of strain on the tripod mount in the bottom of recorder; just don't do it if a BP-6AA is used! - menus can be a bit confusing for the uninitiated and this generation manual is not as helpful as prior generations. Look for YouTube tutorials! I was going to put a small shotgun mic on top with a 1/4" to 5/8" adapter, but realized the DR-60DmkII + BP-6AA underneath + mic on top is not very stable. Better to use either a two-in-one bar tripod adapter or multiple tripods adjacent to one another. If a BP-6AA pack is mounted on top with nothing mounted on top of BP-6AA, then BP-6AA batteries may be changed without impacting setup. The DR-60DmkII batteries are accessible, but it isn't easy to pop them in the rear while the whole setup is sitting upright. Edited 07-31: Beware of open box items marketed as "new". I received one from a vendor sold as new that showed a bit of wear on the rear battery cover and underside. However, the style of packaging for this Tascam makes it difficult to tell whether this is a new, returned, or open box item! I have seen some "unboxing" videos on YouTube and this is the first Tascam DR series I've purchased that doesn't come in a sealed box with a plastic protector for the display and a sealed (at least taped) poly bag holding the recorder. I have seen this style of packaging on "professional" gear before. So how are we as consumers to tell whether an item is an "open box" or return? TEAC/Tascam saved perhaps a few pennies but it would be great to go back to providing a screen protector and tape the poly bags!

### ⭐⭐⭐⭐⭐ Great sound from a portable package!
*by S***. on September 12, 2016*

Excellent audio recording that won't break the bank! My Sony DSLR needed a quality audio solution that could accept XLR mic with phantom power. I found my solution in the TASCAM DR-60DMKII. Why you need it: This device will accept professional microphones that have XLR connectors and require phantom power. The DR-60mkII can provide phantom power even while on battery power and on the go. It has a standard tripod mount screw on the bottom, as well as a place for you to attach your cameras tripod mount to it. You can stack them on your tripod providing and easy way to record high quality audio during DSLR video production. Usage: I won't get into every feature of the mkII as you can see those in the item description, but it's safe to say it does more than expected. I had heard the previous version had issue with the pre-amp causing poor audio quality. I can safely say this issues have been resolved with this current version. Audio is clear and will record as good a quality as your microphone allows. I use this for recording external audio for video, as well as recording audio sessions for my podcast. The user interface is straight forward and anyone with any experience in audio recording equipment should be able to use without any need for instructions. This unit uses standard SD cards for recording so storage should always be easy to come by. As I satiated above, it fits nicely under any camera rig and doesn't ad a lot of weight or bulk. Unit is much smaller and lighter than I expected from the product shots. One great feature is second safety track recorded at a lower level to ensure your audio stays consistent and clean throughout the recording. This has come in handy a few times already! Battery life: The Dr-60mkII can be powered by usb, alkaline, or rechargeable batteries. Battery times can vary greatly depending on weather or not phantom power is used. I find I can get about 1.5 - 2 hours out of Phantom power. I usually use eneloop rechargeable AA batteries and carry an extra set if I think I will be in the field for longer. It's more than sufficient for my needs. Build Quality: The TASCAM DR-60mkII is built extremely well. It has a solid feel, while still being extremely light. The buttons and dials all feel very well made and it should withstand years of use in the field. The display is a basic "old school" lcd with and orange/red backlight. It is nothing fancy, but it does what it needs to do. Incorporating a more modern display, or color LCD would have been unnecessary and would have had a negative impact on battery life. I think they made the right choice here. Overall, I am very happy with the Dr-60mkII. Audio quality is great, and the device is a great addition to any professional setup.

## Frequently Bought Together

- TASCAM 4-Channel Portable Audio Recorder for Videographers, 2 Combo XLR/TRS", Dual 3.5mm Inputs, Limiter, HP Filter (DR-60DmkII)
- Hermitshell Travel Case for Tascam DR-60DMKII 4-Channel Portable Audio Recorder
- NEEWER NW-7000 Microphone Boom Arm, 3 Section Extendable Handheld Mic Arm with 3/8" & 3/8" to 5/8" Screw Adapter, 3ft to 8ft Adjustable Length,Auxiliary

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*Product available on Desertcart Kuwait*
*Store origin: KW*
*Last updated: 2026-01-28*