🎙️ Elevate Your Sound Game!
The FIFINE USB Studio Recording Microphone is a versatile and stylish microphone designed for professional-quality audio recording. With a three-capsule array and four selectable pickup patterns, it caters to various recording needs, from podcasts to gaming. Its plug-and-play functionality makes it easy to use with laptops, PCs, and gaming consoles, while the headphone volume control and mic mute button add convenience for streamers. The microphone's sleek metal design not only looks great but also enhances your on-camera presence.
Power Source | Corded Electric |
Signal-to-Noise Ratio | 78 dB |
Frequency Response | 18 KHz |
Hardware Platform | Laptop, PC, PlayStation |
Number of Channels | 1 |
Polar Pattern | Cardioid/Omni/Bidirectional/Stereo |
Microphone Form Factor | Table Array |
Connectivity Technology | USB |
Connector Type | USB |
Special Features | Headphones Volume Control, Mic Gain Knob, Three-Capsule Array, Pick-up Pattern Switch, Plug and Play |
Compatible Devices | Laptop, PS4/5, Macbook |
Item Dimensions | 8.94 x 6.97 x 6.57 inches |
Material Type | Metal |
Color | Black |
B**H
I hate to say this, but this might be the only mic I really need
TL;DR - If you’re looking for a good, all-around microphone that will morph and shift with you as your recording needs change, and want good recording quality, I would recommend this. With its different polar patterns, it can function as a voiceover microphone, a podcasting microphone, a streaming mic, an audio/video conference mic, a beginner SFX or foley mic, and it even does decently at recording instruments. At its price, it is an incredible value.First of all, I need to provide some context so that both the people who just want a high quality microphone, and the more discerning readers among you can get a reference point for why I’m equipped to make this review. I am an amateur audio recording enthusiast, and in my humble collection of microphones reside a Shure SM7B, a Rode NTG2, a Techzone Audio Products Stellar X2, a Sennheiser E614, an Audio Technica AT2035, a couple of Audio Technica ATR2100x-USB mics, a Golden Audio Project D2, and some wireless Samson systems. I’ve owned a number of other microphones in the past, from the likes of the aforementioned brands, as well as Blue. I’ve also worked with various flavors of digital recorders from Zoom and Sound Devices, and hired and worked on set with audio folks who own Schoeps, Lectrosonics, Neumann and Zaxcom gear. I’m no expert, but I’m a pseudo geek, and I *love* gear. I used to follow Curtis Judd and Podcastage religiously, until I discovered that my devotion to them was draining my wallet (I was buying stuff they reviewed, even though I didn’t need any more gear)When I got the opportunity to review the Fifine* K690, I initially scoffed at the idea. I’d owned budget Chinese audio gear in the past, and they were mediocre at best. How much better could they have become? The photos looked good, though, and my contact at Fifine who reached out to me to request a review agreed that I was not bound to say anything positive if my assessment revealed that there wasn’t anything positive to say. I told her I was in.I’ll gloss over the packaging and appearance with the exception of saying that it’s really quite nice and better than expected at this price point. Packaging discarded, I checked out the build quality of the mic. It has heft, and feels very solid. The finish is really quite nice, and the silk The included base has a small footprint, and the mic swivels smoothly in the base, while staying put when you place it at a weird angle. You can easily mount the mic on a standard mic stand or boom arm with the included adapter, which screws into the bottom of the mic, but Fifine made a very curious choice for the size of that screw thread. Perhaps this is my own ignorance on display, but I would have chosen a 1/4”-20 female screw thread on the bottom of the mic to ensure compatibility with the vast majority of grip gear. Instead, the size is strange and appears to be non-standard.I then plugged it into my 2013 Mac Pro using the included USB cable (very strangely dimensioned at 9.84 feet long), turned my monitors down, slapped my Sony MDR7506 monitor headphones on, and spun up Adobe Audition. After selecting the Fifine K690 as the input, I gave it a whirl. I started with the cardioid polar pattern first, as that’s the one that I use the most, and started recording. Color me impressed! Upon playback, I was a little shocked at how good this jill of all trades microphone performed. I’d turned the gain knob on the mic all the way down, and the signal was strong, with almost no background noise. I don’t know if there’s a built-in pop filter or not, but plosives were minimal, even though I kept saying ping pong pang punk right into the microphone. I spun the microphone around as I kept babbling to test off-axis rejection, and was rewarded with very little pickup on the back side of the mic. I then ran through tests with the other polar patterns, and voila! Omnidirectional was indeed omnidirectional, stereo was stereo and the figure 8 (or bidirectional), worked as claimed.For the price, I think it’s really hard to beat the value of this mic. Time will tell whether it will stand up to the rigors of regular use, but its utility cannot be denied. I use it for Zoom, for letting my daughter record her singing, and for calls home via Google Voice. It has a built in mute button, which is much easier to access and use than the mute button on Zoom, or having to press the Zoom keyboard combination to mute. If I was a podcaster, I’d take it on the road with me and save time on setup, and give my back a break. It now sits on my desk, taking centerstage, while my SM7B sits on its boom stand, viewing it askance, probably muttering less than savory things under its breath. I never thought I’d say this, but this might be the only mic I’d need. Does that mean I’ll stop watching Curtis Judd and occasionally getting one of the mics he recommends, even if they can only be used in limited situations? Nah, I like audio gear, and this K690 will someday join my SM7B in envy. But until then, it's a solid, all-around replacement that simplifies my audio chain significantly and works well for my current needs.*It’s pronounced like you would say the word “fine” twice in a row. I had to know since I was having too much fun making up pronunciations, and emailed them to ask
B**R
Another Great Mic from FiFine, but Hoping for Innovative Changes
There is no arguing that the FiFine K690 is a Blue Yeti Clone. Same features, similar build concept, and even every button and dial is in the EXACT same position as the Blue Yeti. Does this mean it isn't a good mic? No, it is a good mic. Although, I would love to see some innovation from FiFine in the future. A part of me doesn't want to say this slightly critical stuff about FiFine because I really do like them as a company. They produce some great mics for a great price. Since I know they are capable of making good products, I know that they could be capable of even more and coming out with their own microphone concepts with great features! I'd like to see them make the NEXT Blue Yeti, not the current one.FiFine K690 Pros:The K690 functions very well.Great build quality.Reasonable price.Sound is on par with the cost.Has a slight edge when it comes to sound quality compared to the Blue Yeti.Has useful and nice features (4 separate polar patterns).FiFine K690 Cons:Carbon Copy of the Blue Yeti (Some people probably don't care about this at all).I wish it at least could do 24 bit 48 kHz, but it just simply matches the Yeti with 16 bit 48 kHz.Once again matches the Blue Yeti with a mini USB port, I would have liked to see a USB-C port on this mic.Stand is a little short, so it could be hard to get great sound with it on a deskSummary:When it comes to the K690, I believe the Pros out weigh the Cons. This is a good sounding microphone with great features, even though those features aren't the most cutting edge. A lot of people may not care that it is a clone. The only reason I do, is that I want more for FiFine as a company.If you want to watch my full review, check out the 'Audio Hotline' on YouTube.
S**O
A unica coisa ruim é não ter comprado antes
O microfone é excelente, captação perfeita, isolamento em relação a áreas de captação funciona muito bem, conector npara fone na parte de baixo é muito util. Tem uma construção bem robusta, pesado. Já tive microfone bem mais caro e o resultado deste não deixa nada a desejar.
V**K
It is one of the best budget buy mic for beginners!
It has sturdy body and good features in best price range. It has got a very good noise cancellation property but its not 100% but again a good deal for the beginners. I really like its 4 in 1 feature all the modes are there.I am using it for my guitar and singing. It does the job.I edit my audio in garage band and video in imovie.I have uploaded a video for the same.
R**.
Mic muito bom
Por enquanto fiz testes bem superficiais, mas ele me parece excelente!!! Super recomendo, chegou bem rápido e super bem embalado
S**A
Good for the Price; GREAT BLUE YETI COMPETITOR!
The audio quality is good. Sounds just how a condenser mic should. Noise cancellation is alright; but condenser mics pickup background noise so make sure you're in a quiet place.The packaging was incredible; and the quality of stand and cable is also supreme. The Mic is lightweight and made of thin metal. The buttons and knobs are of average quality.Overall THE BEST ALTERNATIVE to the Blue Yeti. Gives great audio for almost half the price.
M**S
Microfone de excelente qualidade
O produto é excelente. Comprei com o objetivo de realizar lives com captação acústica da voz e violão utilizando o Streamyard. Atendeu com perfeição.
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