Reservoir Dogs [4K UHD]

Reservoir Dogs is still every bit as sharp, shocking, and stylish as when it first hit the screen. This 15th Anniversary Blu-ray edition gives the film the justice it deserves, with clean visuals, crisp sound, and plenty of behind-the-scenes extras that make it worth owning even if you’ve seen it a hundred times. Quentin Tarantino’s Reservoir Dogs remains one of the most iconic and influential crime dramas ever made. The film’s gritty dialogue, nonlinear storytelling, and unforgettable performances from Harvey Keitel, Tim Roth, Steve Buscemi, and Michael Madsen make it a must-see for any film lover. Even decades later, the tension in the warehouse scenes, the dark humor, and the raw emotion all hold up incredibly well. The Blu-ray transfer quality is excellent for its age — colors are balanced, the film grain feels natural, and the audio mix does justice to the pulpy soundtrack and razor-sharp dialogue. This edition also includes several great bonus features, including behind-the-scenes interviews, cast reflections, and commentary that give fans a deeper look into how Tarantino’s style began to take shape. It’s a noticeable step up from the older DVD versions in both quality and presentation. If you’re building a collection of classic films or love crime thrillers that focus on story and dialogue rather than spectacle, this is an essential pickup. Whether you’re revisiting it for nostalgia or discovering it for the first time, the 15th Anniversary Edition delivers a definitive experience of Tarantino’s first masterpiece.

why was everything talking so damn gay the entire time. Halfway through i had to check to make sure i was watching the right movie. mr white and mr orange were practically inside each other in the end. good movie tho 10/10

Love the movie, not for the faint hearted

Cool release. Nice slipcover.

Though I have mixed feelings about Quentin Tarantino's work in general, I have nothing but praise for Reservoir Dogs. It hasn't dated a bit since its release 10 years ago (though that's because of its almost vintage look to begin with) and still packs a wallop, remaining a bold, exhilarating, unique masterpiece, with all of the energy and fresh creativity of a movie-loving filmmaker but none of the pretensions. I was positively elated at the prospect of this 10th-anniversary re-release, but I must say, the bonus materials are not nearly as satisfying as I thought they would be. First off, the commentary tracks. Tarantino himself is that oddest of species -- many actors and directors are not good at recording commentaries because they're either too bland (too much of "I love this", "I love that") or have an accent (John Woo, for example), but Tarantino's commentary track suffers from too much verbality. Much like his scene in the film Sleep with Me, Tarantino often engages in lengthy verbal diarrhea which often have only cursory relevance to the scene at hand. Producer Monte Hellman is even more irritating; on his commentary he frequently refers to the film as if he'd directed it. Grotesquely annoying. I would much rather have had more of the actors -- Tim Roth's comments on his own work are always wonderfully insightful, and I would have loved to hear Harvey Keitel talk about the film, given his crucial role in getting the film financed. A terrific surprise is cinematographer Andrzej Sekula's commentary. Perceptive, illuminating and devoid of ego, Sekula's commentary really elevated my interpretation of this film. Another surprise commentary is by Rolling Stone film critic Peter Travers, whose insight into this film's use of music is very convincing. Unfortunately, much of the rest of the package often smacks of self-importance. The packaging (with a different character/actor on each cover) is cute and not unfitting, but the idea of selling all four in an extremely expensive pack sounds plain greedy, considering all the discs contain the same information. So you'd be paying the price of four double-disc editions solely for the different packaging. They should have simply released a larger boxed set with all the packaging but only two DVDs to cut down on cost. The cut scenes are interesting, and it's obvious from first glance why they were cut (good job, Tarantino and editor Sally Menke), but there really aren't that many of them. Other than that, it seems to me as if the descriptions of the bonus materials on the packaging are much more interesting than what's being offered. An ingenious job in marketing, perhaps, but the bonus materials somehow left me unsatiated. I can't really explain why the seemingly abundant bonus materials somehow left me cold. Criterion Collection DVDs, for example, somehow manage to deliver much more depth: The excellent double-disc issue of Traffic, for example; even Criterion's release of Seven Samurai, with only one excellent, vital commentary track, was highly satisfying. I somehow think if Criterion had re-released Reservoir Dogs on DVD, I would be much happier with the package. As it is, I still watch this film frequently, but don't feel too often tempted to explore the extras.

A classic

One of the best first films from any director ever! I remember how impact was when it was released in theaters. It was like a shotgun blast of to our cultural zeitgeist, and had such lasting power. Even though I’m an avid bluray collector, I recently decided to collect every Tarantino film that has a 4K release. It just makes sense👍🏾😊

Looks and sounds phenomenal! A little bummed that the special features menu is completely blank but I guess that's what YouTube is for. For $14 I'm very happy.

Tarantino film

Six crooks with no past history with one another are hired by crime boss, Joe Cabot to carry out a diamond heist. Things, however, don't go according to plan, as no sooner does the job begin, than the police come sweeping in at the site of the robbery. A shootout ensues, with two of them being killed. When they all finally rendezvous at an abandoned warehouse, they come to the conclusion that one of them must be an undercover cop. What can be said that Reservoir Dogs that hasn't already been said? A seminal piece of filmmaking, not to say controversial due to the moral outcry that followed it after its release due to its scenes of violence. Probably not helped by the campaign only just having been waged by the gutter press against, Child's Play 3, which it was erroneously said to have influenced the murder, of two-year-old Jamie Bulger in the UK, by two 10-year-old boys in 1993. In fact, the VHS release of the movie at the time was postponed until 1995 due to the British Board of Film Classification initially refusing the film a home video certificate (UK releases are required to be certified separately for theatrical release and for viewing at home). Fortunately, we now live in more liberal times, and the movie has gained a major cult following, and understandably so. Marking the directorial debut of a then 29-year-old Quentin Tarantino, who had previously worked as a Video Clerk when he wrote the movie's screenplay. It was a highly impressive first feature, comprising motifs that have become trademarks of his. Violent crime, pop culture references, profanity, and nonlinear storytelling. Centering around a botched diamond heist, part of the selling point of the movie, is its witty, superb dialogue. Whether it be a discussion about the lyrics to Madonna's, Like a Virgin to the ethics of tipping, Tarantino displays a perfect ear for it. What elevates it even more though is the relationship between Harvey Keitel's Mr. Brown and Tim Roth's Mr. Orange. Two of the careers criminals who up until recently have been relative strangers, but when Orange is seriously wounded in the midst of them both making their getaway, Brown displays compassion, being a source of comfort to his wounded companion. There is an undeniable bond that begins to develop between each man, which makes the old adage of honor among thieves ring very much true. Dissimilarly, the relationship between Brown and Mr. Pink is less harmonious and more prickly, not helped by the fact that Pink is arguably the shadiest and self-serving. However, he's also very pragmatic, being much of the time, the voice of reason with lots of smarts, and while not physically the most threatening proves to be the one character to not be underestimated. Although his pragmatism at times comes to the chagrin of Brown. When Mr. Blonde (Michael Madsen) however finally arrives on the scene is where the situation really hots up, and tensions intensify more so. He is undoubtedly the most unpredictable of the movie's gang of rogues. Played with a cool, icy demeanor by Madsen, beneath that coolness lies the heart of a merciless, sadistic psychopath. In his presence, the atmosphere swiftly and undeniably takes on an air of unease and volatility. With this none more so encapsulated in the infamous torture scene which plays out to the strains of Gerry Rafferty's Stuck in the Middle with You. With the non-linear structure which he would use arguably use to his best and ingenious effect in Pulp Fiction, flashbacks to both Brown and Blonde meeting with Joe and Eddie Cabot serve to flush out both men's relationships, with the Crime Boss and his son. Bringing an added dimension to the dynamic of how the story plays out. Eddie's unwavering trust in Blonde, and the precarious division of loyalties that Brown finds himself being faced with. The performances from the cast are uniformly first-rate, with each of its stars working off one another exceptionally. Not least of all Tim Roth, executed a pitch-perfect U. S. accent, with there being no trace of his cockney accent at all. And it may come as some surprise that Eddie Bunker, cast in the small role of Mr. Blue was an ex-convicted felon, who had gone on to become an author of crime fiction, which lends the movie a further air of authenticity. Needless to say, Reservoir Dogs broke the mold and ushered in a new era of filmmaking. Admittedly, I can't say Tarantino's career hasn't gone unblemished since, as I'm of the unpopular opinion that Jackie Brown reprinted the nadir of his work, and Death Proof more so. Nevertheless, he's hit more than he has missed, and his debut is a testament to what lay ahead for him.

Muy buena edición muy buen remasterizado a 4k una edición sencilla pero cumplidora en mí caso no me llegó con slip cover pero no me quejo viene al español y con los subtítulos al español también en el 4K como en el blu Ray y cuenta con escenas eliminadas y poco más buena película y buena edición

Great item

他の方も書かれてますがリージョンコードでDVDプレイヤーでは読めなくて、PCだと読めました(字幕なし？) また、本編でなく予告編のようです？