innopow 200-Channel Wireless Microphones System, Dual UHF Metal Cordless Mic Set, Auto Scan, Long Range 200-240Ft,16 Hours Use for Karaoke Singing, Church, 2022 Version(WM333)

This may be one of the best sets of wireless mics you could possibly buy for the money... First, let me point out the downsides: 1. Yes the frequency range of one mic will be out of spec - so you could not use that one, and buy a second set and only use one of the others too, and still have a heck of a deal. 2. I can find no way to have them power on when power is applied - which means you will have to power on your rack and then power on each of these receivers manually (unless I am missing something) 3. They are not rack mountable without placing them on a rack shelf and using double side tape 4. The antennas are not meant to fold flat for easy storage in a gig bag, you would be best to take them off when transporting 5. The antennas are on the back, so if you do put them in a rack, they will be behind a bunch of metal that will reduce their range 6. On a dark stage, you cannot see the polarity, so you might have someone put the batteries in and not have power and have to do it all over again - also, some battery brands are a little too snug, like Kirkland (Costco) so they are hard to pull out once you put them in. Okay okay - so what makes them great then? 1. They are built very well. As others have noted, they are heavy in your hand, they feel about as good as our Sennheisers, like a real piece of pro equipment. While we have not dropped one, I feel like if we did, it would not shatter into pieces like other budget mics. 2. They are good looking and when mixed with our pro-level gear on stage, people cannot tell we didn't spend a grand. 3. The range is more than adequate. We have not found a stage that is larger than the coverage - however, our receivers are in a rack ON THE STAGE, not at the back of a sanctuary or something. 4. The infrared frequency setup is instantaneous and accurate - it's never failed to work correctly, unlike some other brands, even higher end gear. 5. The audio quality exceeds all expectations. I record every show, and that means I have isolated audio from each mic and member and can easily compare a Sennheiser wired to a Sennheiser wireless to an SM57 to the Innopow. And guess what? In almost all cases, the Innopow sounds superb! I'm not yanking your chain here, on quiet to loud songs, they are pretty amazing. And their pattern is pretty good, so they don't pick up too much noise like drums, and they are not bad about feedback. Like most mics, if you move up on it tight, bass response can be amazing. The only weak point is that if you have someone who belts AND cups the mic, it will distort a lot easier than a 57. 6. The price is a big point for us because while we have 3 higher end Sennheisers systems that were bought for key members of our band, other members have come and gone and others have made no investment - these are perfect for them and for guest mics. It's hard to justify buying everyone else's gear, so they get what they get right? At least they get a very decent mic that they are not embarrassed to be behind! There you go, 6 pros and my 6 cons.... The pros far outweigh the cons for sure. And I have a follow-up after purchasing my first system in February, I bought a second system after one of the two mics died.... Not sure what happened, it wasn't dropped, but the batteries would heat up red hot as soon as you would turn it on. Why isn't this a "con"? Because everything has troubles - my expensive bass amp is dead, died at the same show! Rather than cry about it, I ordered another set of mics. I mean, that price, right? But wait - there's more... On a whim, I contacted the seller and told them what happened, early on a sunday morning after our gig... and by Monday morning, they had replied to me and said it was probably a solder ball on the circuit board - and they sent out a replacement.... I had a replacement from them in time for rehearsal on Wednesday.... Used it at Friday and Saturday night's shows and sound as good as ever. Meanwhile, my expensive bass amp is in the shop until the middle of next week before they can even look at it...... So, it's not Shure or AT or Sennheiser, but I would not (and did not) hesitate to buy again or recommend to my friends.

To start off, I have a degree in sound engineering and have worked mobile DJing, Radio and Clubs/Festivals for over 15 years. I have used the best systems out there and owned many wired/wireless mic setups myself. My experience with these mics is only over two events and extensive testing at home before I took them on the road. I prefer these mics to my earlier $400 Sennheiser XSW 2-835-A and my current $300 Shire BLX24/PG58 for build, sound quality, features and reception. I would like to check back in a year after many more gigs and rentals before determining their long term reliability, but for the price, as it stands now…. WOW My initial testing was done in a large venue where I had 290 feet line of sight (measured) and was able to walk around brick walls down hallways and outdoors with line of sight interrupted. I wish I had a GoPro running for the tests so I could upload my results but you will have to trust me. I won’t bore you with too many specifics but here are a few that really matter. First off the receptions first weak spot was not until 150ft from the receiver where I was outside the building on the other side of a brick wall and even then there was only slight fuzz to the signal, another 50 ft (200ft and the mic occasionally dropped a beat and became what I consider unusable in a mobile DJ type situation. Line of sight these are even more impressive where I did not notice the slight fuzz (very quiet) until 240-250ft, *the manufactures claimed performance. I was although able to go until the full 290ft of the room with only the very occasional dropout and noticeable fuzz, and this was with my hand covering the entire bottom of the mic (the transmitter) and standing away from the receiver station. Even when the IR on the mic isn’t pointed to the receiver as you are supposed to do while establishing a connection between the transmitter and receiver, I found that at 250ft the mics reconnected immediately with no issues after being turned off and back on again. The multifunction power button on the bottom of the mic makes for a great clickable feel and is a clever place to hide the “Mute” so it does not accidentally get pressed. The screen is backlit (turns off after a short idle) with information for the group, channel, frequency, and battery level. The cardioid pattern is tighter than most and closer to that of a super cardioid microphone. The rear rejection is fantastic. The frequency response is more lively and warm than many $500 mics and will work better or worse depending on the person who uses it. It also feels just as solid as the most expensive microphones in the game. Would I trust it with a 1k person crowd at one of my production companies events? Yes, I already have. Time will tell with the dependability and reliability of this setup, which is most important when you are talking about pro audio applications. This will more than meet your needs if you just want a good karaoke mic or are running small private functions. For big events and gigs I suggest having a second mic setup (as with any brand microphone) as a backup. I hope this helps you while making your next microphone purchase. [UPDATE April 30th 2019] These guys have seen action about 15 times now. This past weekend MC Butterfingers dropped the mic while he was flailing around. The mic has no distinguishable dents or scuffs and still works like a charm. It still hasn't received the reputation of an SM58 but I think that instilled a little more confidence for me on upcoming gigs. In fact, I just purchased a second pair for my rentals rig.

It heavy mic. Sound good . Cheap price . I like it . And will buy again...

I'm a mobile Dj with a "micro setup" for small to medium events. I was previously using the cheaper wireless mics that use a usb-rechargeable receiver that you plug into your mixer. They had horrible range, felt cheap, and would have signal dropouts. So price-wise, I needed a happy medium between those, and pricey industry standards such a Shures. BOOM, this microphone fit the bill! PROS: - Long range. You'll notice they sell 2 similar models. This is the one with the farther 240 ft + range. And yes, it goes that far, even behind objects and even a wall or two. If you stay in line-of-sight, range is definitely impressive. - Quality metal construction. These mics are very well built. It definitely feels like pro grade equipment. - Great sound. Voices are rich and full, without requiring too much EQ from my mixer (except for occasional FX, of course). - Comes with everything you need including batteries, and even a patch cord. - Your free gift! Order this set, and you'll want to contact the manufacturer about this! CONS: - The mics are a little heavy. But to me, that gives them more of a professional feel. - The power supply is nice and small (not a huge wallwart), but the power wire is a little thin, and I'll have to keep an eye on it during gigs to make sure it doesn't fray. All in all, I would totally buy this mic set again if I had to! I do about 4-5 gigs a month, so we'll see how these hold up. I've taken it to 3 so far, and they've been GREAT! EDIT 3 YEARS LATER - both mics still work like champs! Zero issues! Need a bonus? the free gift from Innopow was a lav mic and they also included a small cable: mini-XLR to 1/4. At first I thought nothing of it. Guess what? You can use this system as a 5Ghz wireless audio transmitter! Your source will have the lav mic unit and mini-XLR>1/4 cable. Your mic receiver box will be with your remote speaker, with a patch cable connecting the 2. Clear wireless audio 100+ ft away! How awesome is that?! EDIT Apr 4, 2023 - while packing up from a gig, I noticed the antenna conductor lead and insulator broke off and fell out from the receiver unit. Super bummed. I didn't claim warranty or repair because it's the factory design inside the board. Don't get me wrong: if you screw in the antennas and leave them alone, I'm sure it'll last forever. It just isn't designed for multiple connection cycles like mobile gigs. I bought TNC bulkhead pigtails and replaced them myself, soldered to the board. If they ever break again, I could do it again easily. This advice is only for users with electronics and soldering experience (see photo).

I’m a sports announcer (roller derby). I wanted a mostly portable, wireless mic set that I could carry with me to any venue and be able to plug into any sound system or mixer. There are a LOT of options from one-mic systems with a little plug-in receiver to this. I opted for this and MAN has this set been great! I’ve used mine probably half a dozen times and it’s been great so far. The range hasn’t let me down - from an average skating rink to a larger college campus basketball arena. The 1/4” audio cable makes it basically universal. I like the ability to change radio frequency if there is interference. Battery life has been impressive too - I’ve probably done half a dozen two-hour games and both mics show full battery power (I do remove the batteries before storing them). The only thing I wish I could do is get a seperate body pack mic that I can learn into this. The kits are either two mics or two body packs and as a coach, it would be able to talk without having to hold a mic. The Innopow body packs that are for other systems don’t seem to use a frequency that this can hear. Maybe in the future a seperate body pack will be available. Until then, I, my other announcer and our fans are super happy with this. If it lasts me, I’ll stay loyal to this brand. Update about 5 months in: After a few months of regular use, the original batteries FINALLY wore out. I can’t ask for better battery life. This set is still performing. The mics have been dropped but they feel pretty solid and haven’t been harmed. The other night, the whole receiver fell off a mezzanine railing about 12 feet to a concrete floor and wasn’t harmed. I recently had a situation in one venue where one of the mics worked great, and the other didn’t work at all from where I was. Once I scanned that mic into a new frequency channel, it worked perfectly. This has also outperformed more expensive, name brand wireless mic sets that places have had. So, if you’re finding that a mic isn’t working or doesn’t have great sound, try putting it on another frequency channel. It’s a little tricky to do it if you don’t change channels often but it’s been successful. Update after two years: Still working great. Battery life is still impressive. I purchased two separate body packs and headsets. I keep the whole set: receiver, mics, body packs, headsets and cables in a suitcase sized padded case with a customizable foam insert. They’ve been used every few weekends for two years and they still perform well after wear and tear of being at many games and tournaments. This mic set has done the announcing at a number of large tournaments. Still, the biggest key is each time it’s taken somewhere, scanning for an open channel and learning the mics in. It takes seconds. After two year update: man, these keep performing. Both mics have been dropped and had hard blows. I thought one was broken but once I played with the power button, it’s fine. I messed up one of the headset cables and the power cord by closing my Pelican-style case on it but that’s my fault. These get used every few weeks and they never fail. It does seem like the headset mics have a higher gain than the handhelds but that’s no issue at all. These have been used at small events and national tournaments. For the price, I couldn’t ask for a better product. Again, having a clear frequency is important. Learn how to do the auto scan so the receiver can find a clear channel, and then learn the mic or body pack in. I do this each time I use them. One of the first times I used these at a rink, one mic worked well and the other didn’t work past 10-15 feet and changing channels absolutely fixed it.

Over the years I have used Shure and Sennheiser wireless mics which I love and they have always performed well. It seems though that every 2 years or so I have to buy new ones because I lose them. Earlier this year I bought a new single $400 Sennheiser mic and receiver and only used it twice when it went missing at a gig and could not be found. So frustrating and because of the high cost of wireless microphones, I have tried to stick with wired mics so they don't go walking off or if they get lost, the price does not hurt as bad to replace them. I was about to order another $400 Sennheiser wireless mic but came across this one here on Amazon.com and read the reviews. It seemed to good to be true that I could spend so little and have 2 wireless mics for less than half the cost of a single Sennheiser. The mics arrived and I was impressed with the build quality for the price. I hooked up one microphone and it worked great. With the receiver in my house, I was able to walk outside and get about 150' before it started cutting out. I am sure the distance would be greater if there was no obstructions between the mic and the receiver. I hooked up the 2nd microphone and it did not work. I tried syncing it up to the receiver and the frequency would change on the microphone to what the receiver was looking for but it seemed the microphone was not transmitting. I went back to the first microphone and it worked flawlessly changing frequencies. At this time it was a Friday night at 10pm and I wrote an e-mail to customer support. I was not sure if I would ever hear back and was sure it would take days. Boy was I wrong. I received an e-mail only 5 minutes later. After another e-mail and trying some troubleshooting issues with them they said they would send me a new unit right away. Remember that this all happened on Friday night and Monday a new one showed up! I tried it out and it worked great. I sent them another e-mail to let them know the new one was working and they replied back within 5 minutes again saying that they were glad to help. I was amazed at their customer service and how quick they respond. I will have to spend some more time with the mics to see how they hold up after more use but so far I am really impressed. If these mics go missing like my more expensive ones seem to do, it is not going to hurt as much to replace them and at this price it is very inexpensive to have another one as a backup. One thing you will want to tell people while using them mics is to not grip them on the very bottom which would be an unnatural way to hold the microphone anyway. If you do so it will block the antenna in the microphone and you start getting static at about 30'. Once you hold it normal you should get around 200'

I bought 2 sets of these, and they get used in the band room, for both band practice and karaoke. So the transmitter bases just sit in one place and don’t move. I’ve had them for a little over a year. The sound is good. No issues with the sound overall. The quality of the mics is decent. They feel heavy and sturdy. I use 4 mics and 2 bases. When all 4 mics are going (taking into consideration normal Wi-Fi in the house, and people using their phones) during karaoke, we average about 4 drop-offs per 4 hours each time we party. That’s actually not that bad considering all the wireless signals going around when you have a bunch of people. The quality of the transmitter base is questionable though. As I have said, they sit in one spot - not moving. Moderate to low use overall. But recently one base (which transmits to 2 wireless mics) stopped working. The backlighting died completely, and while one of the mics still seems to be transmitting, I have no way to see what frequency it’s on, or any of the other details. The second mic channel stopped working all together. So I got one year out of one of the two that I bought. That probably works out considering the price you pay for a module and 2 mics.

I don’t normally leave reviews for products, but this product is so good I cannot help but recommend it to others. As a professional DJ, I needed a wireless microphone system immedietly because my other one was being rented out for an event and I learned days before that the venue’s system was unavailable (after I was told that it was going to be for months). This product had good reviews and I figured I would take a chance and try it out. Package arrived quickly in time for the event. All I can say is wow. The system comes with everything you need to hook this up to a mixer. The packaging is very professional and the fact that it includes batteries are a nice touch. The mics feel very solid; the constrcution is excellent and I especially love the power switch (the mics are all metal). The auto-band searching is a nice touch too. Everything from the receiver to the antenna is high quality. I tested out the mic and the sound was excellent-far better than many wired mics I have used. I tested the mics out in the corners of a reception hall and there was no dropping out at all. For wedding receptions and ceremonies, a system like this is perfect. The power switch works pretty quickly and there is a backlit screen on the reicever and the two mics - another nice touch. Don’t spend more money for an inferior product; many systems that cost more than this are not this high quality. Even the entry level Senhiser (retails at $500) does not have all metal mic construction like these. A product like this should cost at least $250-$300. Also, from what I’ve heard, the customer service is excellent, although I have had no problems with this system at all. Highly recommended