Wireless PRO Compact Wireless Microphone System with Timecode, 32-bit Float On-board Recording, 2 Lavalier Microphones and Smart Charge Case for Filmmaking and Content Creation

In this price point you won't find a better set of wireless microphones imho. I have now used these for a couple of jobs and I think I can accurately review most of the features in an unbiased manner. The 32-bit files are virtually noiseless even when boosted by a great deal to improve extremely quiet audio. The pre-amps in these are fantastic; transparent and virtually noiseless, I can't sing their praises enough. Getting two lav mics in with the kit just makes this the best value for money by far. Are they the best lav mics in the world? No, but they're entirely adequate for most uses outside of high-end production. The range on the TX's is stellar. I've been inside a stone-built church with all the doors closed and got perfect reception from a couple 30m away over the other side fo the churchyard. Delay is minor, a couple hundred miliseconds at worst, but all wireless mics have delay and I record a safety track on my shotgun mic for syncing up in post, so it's a non-issue for me. I haven't noticed any drift in longer recording sessions. One small gripe is that I would have preferred a single carrry case for all the TX, RX, and accessories. As it stands you get two almost idental looking cases, one for storage and charging of the TX/RX, and one for accessories. the box for the TX/RX storage is too big to be easily pocketable, so I don't see why they didn't just make that one bigger and put everything in there. It is a very small gripe and not one worth worrying about if you're well organised anyway. The only thing I don't like about them is the finish on the front of the TX. they are piano black and highly reflective, something I have remedied with some black fabric tape. This only matters if you aren't running a lav mic obviously, but it is something to consider.

Great quality, amazing features. Automatic recording in 32 bit float has saved the day on more than one occasion. Companion software gets better and better. Charging storage extends battery life a lot.

I chose this rather than the DJI because it comes with 2 very good lavalier mics. I can't fault these radios mics. Nice software to make setting up easy. The 32 bit float recording is simple to download and sync in post if it is needed. Just a quick note, if you experience a bit of background white noise from the receiver, it's the camera pre-amp, not the mic. RTFM. If you are using it with a Panasonic HC-X2000, then remove the camera top handle. Works well with a G80 also. If you connect the charge case via USB, then use the short high-speed cable provided. Battery life, sound quality, ease of use, all good.

I’ve been using these professionally at my 9-5 as a videographer, and they’re top of the game. Being able to see and control when a mic is rolling and monitor it on the go is something I didn’t realise I needed in my life. I work in a fast paced sport retailer and we often shoot with various football players on the same day. This has become something that me and my team absolutely love. The 32bit audio is always fantastic to have. Along with the wireless receiver that can input the mic audio straight into the camera to save the hassle of syncing audio in post. Honestly, 10/10 from me and my team!

On the plus side, these mics sound good, look the part and come with a good range of accessories including some decent lapel mics/lavs that can be attached to the wireless transmitters for a more discreet look. They always connect to the receiver without issues and I like how you can hit record on the receiver to start both mics rolling simultaneously. But beware of the terrible Rode software which seems to get more crash-prone with every update. I don't 100% trust I'll be able to lift the transmitters' internal 32-bit recordings from them (you HAVE to use the Rode software to download the files, you can't just plug into your computer) so I always have the receiver recording into a Zoom H5 just in case. Even simple things like deleting individual tracks (the only option is to delete everything) aren't options using the Rode software. They desperately need to sort it because there's nothing "Pro" about it.

I got this to replace my first two Rode Wireless Go II kits. I love the charging case, and the second case to keep all the accessories is very good. I use these for my live streaming work with my radio mic kits. The internal recording is great, and they are so quick to use when you need an audio source quickly on the go. These definitely seem a step up from my older Go II kits.

Fantastic bit of kit. Just shot some video interviews. The sound quality is amazing and made post production syncing sound file a breeze. Don't hesitate, buy one today... and I'm not one who does reviews normally!!

What a brilliant peace off kit highly recommend

Ich habe viele Jahre mit dem Rode Wireless GO II gearbeitet und war damit bereits sehr zufrieden. Nach langer Zeit wurde es jedoch langsam Zeit für ein Upgrade – und der Wechsel zum Rode Wireless Pro hat sich für mich definitiv gelohnt 🙂 Der größte Fortschritt ist für mich ganz klar die 32-Bit-Float-Aufzeichnung. Aus meiner Sicht ist das mittlerweile der neue Standard für professionelle Audioaufnahmen. Man erhält eine enorme Dynamik, muss sich deutlich weniger Sorgen um übersteuerte Aufnahmen machen und bleibt in der Nachbearbeitung extrem flexibel. Wer regelmäßig Videos produziert, Interviews führt oder professionell Ton aufnimmt, wird diesen Vorteil schnell zu schätzen wissen. Besonders praktisch finde ich, dass die Sender nicht nur klassisch als Ansteckmikrofone genutzt werden können. Mit dem Rode Interview GO lassen sie sich auch in Handmikrofone verwandeln und für Interviews einsetzen. Zusätzlich liegen magnetische Befestigungen bei, sodass sich die Sender deutlich flexibler an T-Shirts, Hemden, Jacken oder Pullovern befestigen lassen als bei älteren Systemen, wo es noch keinen Magnet gab 🧲 Im Lieferumfang ist außerdem bereits sehr viel Zubehör enthalten. Man bekommt: * Zwei Sender * Einen Empfänger * Zwei Lavalier-Mikrofone * Ein hochwertiges Ladecase * Eine zusätzliche Transporttasche * Diverse Kabel und Adapter Gerade das Ladecase gefällt mir sehr gut. Sender und Empfänger sind darin geschützt, werden gleichzeitig geladen und sind immer einsatzbereit, besser als die wabelige alte Tasche 🧳 Die mitgelieferten Lavalier-Mikrofone sind für den Einstieg absolut in Ordnung. Wer jedoch das Maximum an Klangqualität herausholen möchte, kann später problemlos auf höherwertige Lavalier-Mikrofone von Rode oder anderen Herstellern aufrüsten. Ein weiterer riesiger Vorteil ist die interne Aufzeichnung direkt auf den Sendern. Dadurch kann man sogar komplett ohne Empfänger arbeiten oder hat immer eine zusätzliche Sicherheitsaufnahme. Gerade bei Veranstaltungen, Messen, Stadien oder Umgebungen mit vielen Funkquellen gibt das enorm viel Sicherheit. Auch das Display des Empfängers ist hervorragend gelungen. Pegel, Akkustand, Verbindungsstatus und weitere Informationen sind jederzeit übersichtlich ablesbar. Was mir ebenfalls gefällt: Rode gibt dem Nutzer viele Möglichkeiten zur Anpassung, beispielsweise über Hochpassfilter und weitere Audiofunktionen. Persönlich nehme ich allerdings möglichst unbearbeitet auf und erledige die Klangbearbeitung lieber später in der Postproduktion. Schön ist aber, dass die Optionen vorhanden sind. Besonders beeindruckt mich die Langlebigkeit der Produkte. Mein altes Rode-System hat mich über viele Jahre zuverlässig begleitet. Genau deshalb habe ich mich erneut für Rode entschieden, obwohl es mittlerweile viele Konkurrenzprodukte gibt. Meine Highlights: * 32-Bit-Float-Aufzeichnung * Timecode-Unterstützung * Interne Aufnahme direkt auf den Sendern * Sehr hochwertige Verarbeitung * Magnetische Befestigungen * Praktisches Ladecase * Umfangreicher Lieferumfang * Einfache Bedienung * Hervorragende Klangqualität * Flexible Einsatzmöglichkeiten von Interviews bis Podcast * Auch mit externen Mikrofonen und XLR-Lösungen nutzbar Für Videografen, Content Creator, Podcaster, Interviewer und Filmemacher ist das Rode Wireless Pro für mich ein echtes Profi-Werkzeug. Es bietet enorme Sicherheit bei Audioaufnahmen, eine hervorragende Klangqualität und einen Funktionsumfang, den man vor wenigen Jahren noch in deutlich teureren Systemen suchen musste. Klare Kaufempfehlung – 5 von 5 Sternen. ⭐⭐⭐⭐⭐ Für mich jeden Euro wert. Ein Produkt, das man kauft, viele Jahre nutzt und sich bei jedem Projekt darüber freut, dass man sich keine Gedanken mehr um den Ton machen muss. Danke Rode 🫶🏻

Let me tell you about this RODE Wireless PRO — I’ve been genuinely excited since the moment I pulled it out of the box. This thing is beautifully engineered from top to bottom. It’s compact, it’s thoughtful, it’s technical in all the right ways, and it feels like it was designed by people who truly understand creators. First: the audio transmission. Stunning. RODE’s Series IV 2.4 GHz digital transmission with 128-bit encryption gives you audio that is clean, stable, and shockingly consistent. No random pops, no dropouts, no weird RF interference — I walked around, moved through rooms, and the signal stayed locked like it was hard-wired. That alone makes it feel high-end. Universal compatibility is a huge win. I love gear that works everywhere, and this system does exactly that: Cameras iPhones Android phones Windows laptops Mac systems You name it, it connects instantly. I love that I can go from a studio camera to a mobile setup without changing my workflow. The technical magic: 32-bit float on-board recording. This is the feature that made me smile like a kid. Over 40 hours of internal 32-bit float recording means this thing captures everything — loud, soft, clipped, whispered — and you can recover the audio in post. That’s a lifesaver. No panic, no ruined takes. I cannot praise this enough. Timecode integration is next-level. This is the type of feature you used to only see on expensive cinema gear. Timecode makes syncing audio in post-production not just easy — it’s automatic. If you shoot multi-camera or fast-paced content, this is a serious advantage. It tightens your entire workflow. And the accessory kit alone feels like a bonus box of joy. The smart charging case is genius — it charges everything together and keeps all the components protected. You also get: Two Lavalier II microphones Every cable you need Magnetic mounting clips A beautifully organized accessory case It’s not just “complete” — it feels premium and ready for real production work. The price-to-performance ratio is incredible. For what this system does — 32-bit float, timecode, encryption, multi-device support, premium lavs, magnetic mounting, pro accessories — the value is beyond competitive. This feels like the kind of gear you keep for years because it hits the perfect balance of engineering quality + creator convenience. Bottom Line: This Wireless PRO system is honestly one of the smartest purchases I’ve made. The audio is clean, the features are professional, the workflow is modern, and everything feels thoughtfully built. If you do video, interviews, YouTube, documentary work, or anything requiring reliable audio — this thing is a powerhouse. Highly recommended. I’m genuinely impressed every time I use it.

音量調整しなくても、音割れしないし、本体に録音されるので、カメラに接続しなくても使えます(別途、編集で同期させるひつようはありますが) マイクも2本ついているのでコスパ高い製品です。

muy buenos y llegaron rapido

RODE Wireless Pro is fantastic - this is the ultimate sound recording device for professional film makers and content creators. Love that it is compatible with my Sony camera as well as the iPhone. Incredibly fast prime delivery within the day too. Highly recommend!