The Monadology is one of Gottfried Leibniz’s best known works representing his later philosophy. It is a short text which sketches in some 90 paragraphs a metaphysics of simple substances, or monads. The monad, the word and the idea, belongs to the western philosophical tradition and has been used by various authors. Leibniz, who was exceptionally well read, could not have ignored this, but he did not use it himself until mid-1696 when he was sending for print his New System. Apparently he found with it a convenient way to expose his own philosophy as it was elaborated in this period. What he proposed can be seen as a modification of occasionalism developed by latter-day Cartesians. Leibniz surmised that there are indefinitely many substances individually 'programmed' to act in a predetermined way, each program being coordinated with all the others. This is the pre-established harmony which solved the mind body problem at the cost of declaring any interaction between substances a mere appearance, something which Leibniz accepted. Indeed it was space itself which became an appearance as in his system there was no need for distinguishing inside from outside. True substances were explained as metaphysical points which, Leibniz asserted, are both real and exact — mathematical points being exact but not real and physical ones being real but not exact. Clearly, besides metaphysics, the developing of calculus had also provided some grounds for seeking universal elementary constituents. At the empirical level, use of the microscope also corroborated Leibniz's view. "Scientists have had great difficulties over the origin of forms, entelechies or souls" notes §74 of The Monadology while displaying his synonyms for "monad".
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