Lonerism

Tame Impala’s Kevin Parker once studied astronomy in university, which seems fitting—this plays like a psychedelic space opera, with galaxy-sized guitars playing over percussion that feels like planets colliding. And yet this supernova of sound actually accompanies a lyrical trip to inner space—not the grand destinations, but the common ones, the ones that would feel mundane if they weren’t so artfully rendered. There are forays through familiar territory: love found and lost and never really given, the standard messing-with-my-heart that feels major because it happens to you, even though it happens to everyone. And those songs are actually quite awesome. (The album’s musical high point’s probably the looping “Keep On Lying,” a circular meta-song about the repetitiveness of our character defects, a song whose message is as much in its structure as in its lyrics. “I guess I’ll go and tell you just as soon as I get to the end of this song, to the end of this song, to the end of this song…” he croons, and not only does the lyric deliberately repeat, but the track fades in mid-song and fades out midway, implying that the listener will never get the promised explanation, just a lot of psychedelic guitar pyrotechnics that will hopefully distract them.) But the album has plenty of other things to say about the inner voyage; there are also great meditations on anonymity and stardom, on being special in a generation where everyone was told they were special—and then discovering that you are special, only nobody else knows it, and you don’t know how to deal with all the loneliness that entails. “This could be the day that it goes through. It could be the day that all our dreams come true,” he coos on “Apocalypse Dreams,” and his angst will be familiar to anyone who’s ever waited for the life-changing deal, the big opportunity from the agent or the label, the Email That Will Change Everything. He does know he’s gotta pay his dues first—“I gotta bide my time as a face in the crowd,” he observes on “Gotta Be Above It.” But above and beyond that’s the longing for a truly transformative experience, a chance to pass through a stargate of sorts to a different world, out of the crowd and onto a stage and into our hearts. And yet he has the good sense to not only show sadness about the length of the journey, but worry about whether it’s even worthwhile: “Am I getting closer?” he asks. “Will I ever get there? Does it even matter?” Given all the angst and alienation it’s appropriate, perhaps, that Parker’s from Perth, one of the most isolated big cities on the planet, the far end of the English-speaking world. But it should also be noted that he’s voicing the frustrations of an entire generation. On the basis of his sound and vocal qualities, he’s earned comparisons to John Lennon. To my mind it’s not entirely fair, partly because Tame Impala’s basically a solo project and, for my money, he’s better than Lennon was solo. (Although I’m hardly the first to notice this, it seems that without the input of the other Beatles, there were no checks on Lennon’s arty extravagances.) And he’s staking his own claim as a voice of a generation—albeit a fragmented generation, one where Beatles-like superstardom may no longer be possible because there is no more monoculture, less broadcasting, and instead a multitude of voices howling into the void. It took me a few years to check this album out; I felt like it was being overrated—and there is, after all, SOOO MUCH music to listen to nowadays. Now I’m kicking myself for missing out. It’s retro and futuristic and timeless, and I suspect that when 2020 rolls around, it’ll be on my top ten of the decade.

I was a fan of the song "Solitude Is Bliss" from T.I.'s first album Innerspeaker. I didn' t get the album as I figured (wrongly) that T.I. was a 1-hit wonder. About 6 months ago I was tipped off that Lonerism was the best alt-rock record of the year so I decided to purchase it. I don't normally write reviews, but I'm a huge music fan and believe most people my age (40's) are completely lost in the 1970's classic rock scene- I mean I love Floyd and Led Zep too, but after 1000 listens it gets old. Of course the music today isn't anywhere near as fresh as that stuff was back then, but it doesn't change the fact that there are some amazing bands out there that the rock loving public has no clue about, and that's sad. To me, there has been a lot of great music over the last 20 years or so, but only 1 band, that being Radiohead, has transformed music- making 3 completely epic, yet completely different records back to back to back. Which gets me to the point of the review. Tame Impala, to me, has the best chance of being that kind of transformative band. I say that because every song they've put out so far (including the EP and B sides) is simply great. The progression from Innerspeaker which is an amalgamation of great tunes one after the other to Lonerism which flows perfectly from song 1 to 12 is the kind of progression you want in an "epic" band early in their career. Yes, Kevin Parker sounds like Lennon and the music is a psych blend of Beatles meets Floyd meets the White Stripes, but it's uplifting and dreamy. Parker's genius is to hook you constantly with melodies-for instance the 4 minute looping in "Keep On Lying" that any other band attempting something similar would have you hitting the "fast fwd" button after a minute- Parker makes you want even more after the song is over. The guitar riff at the end of "Music To Walk Home By" nails it, the tantalizing drum beat in "Nothing that Has Happened..", the amazing building burst of sounds in "Endors Toi" and the the wild psych ride of "Apocalypse Dreams", which imo is a song that rivals Radiohead's "Paranoid Android". I saw these guys live a few months ago in NYC and it was like going to a Floyd show and will see them again next month, and I can't wait to see what Mr. Parker comes up with on the next album.

I can't stop listening over & over to this album--something I haven't done in a LONG time! Each time I do play it, I like it even more. This music is melodious, dreamy, yet urgent & 'hardcore' in its own way. Kevin Parker is no 'throwback to 60s acid rock,' but I AM reminded of super-early Pink Floyd (only better) when I hear certain of his riffs, as well as the Moody Blues, King Crimson & lots of other acid-rock bands I was too spaced to catch the names of at the time. Parker's lyrics perfectly match his melodies. He tells you just enough of 'the story' so that you, the listener, can fill in the rest from your own experiences. Then, it becomes YOUR song, too. Sometimes, I just ache as I listen to this album-- it is cathartic as heck to know another person has been to these secret places. You realize that it isn't just you. Others have felt these intense emotions, too. It's part of life. Kevin Parker, aka Tame Impala, is one brave soul & one wildly talented musician! He lets us into his mysterious world fully. I'm 61 years old & I LOVE rock. Still, the last Stones album I ever bought was 'Exile On Main Street.' You just have to move on. How else do you grow? I have always listened to all kinds of music, & I am thrilled that I stumbled onto Tame Impala. It's just a great album that flows perfectly from song to song, taking you for a glorious ride on stacked harmonies within beautiful melodies & deep lyrics. I think everyone should buy this album & play it over & over. You'll love it, too!

Came packaged perfectly with no damage, sound is great as well and was a perfect addition to the collection!

I first heard Tame Impala in mid 2010 when I downloaded InnerSpeaker based on an iTunes random recommendation. I'm so glad I did, and when Lonerism was released two years later - I was immediately ready to download again. This album is an absolute masterpiece, and almost four years later I feel that I'm finally able to absorb its absolute brilliance. I can now see that it's rhythm is in line with Dark Side of the Moon - which until very recently hadn't occurred to me - even though the psychedelic references to Pink Floyd were clear. However - I don't believe Tame Impala are remotely derivative - they just belong to the same species. There aren't any copies in their work. To fully appreciate Lonerism, you have to experience the live performances - particularly of Be Above it, Nothing that has happened so far has been anything that we could control (Eclipse). Elodie? Melody Prochet.....Set the controls for the heart of the sun. Suns coming Up? Fearless (Meddle). Keep on Lying (St Tropez). Be Above It I originally liked the least - having heard it live - is one of my all time favourites. It has the same underlying pulse as Breathe / Home (DSOTM). Music to walk home by (Time). Elephant almost has the same pattern as Money (DSOTM). But - is isn't DSOTM, it's way more than that. Lonerism is real. It's also musical genius. Endors Toi is without equal (hear it live!) It's taken me years to fully realise it - but is absolutely incredible. Keep on Lying is sublime - echoes of Cirrus Minor - but again, not Cirrus Minor, or any of Relics or Zabriskie Point. If you can get the version with the 7" single of Led Zeppelin / Beverly Laurel - you can see the ideas that developed into Currents. Beverly Laurel sounds like a missing track from A Clockwork Orange

For those of you who've heard romours that John Lennon has reincarnated himselve to front an Australian psychodelic rock group... that's probably not true, but you may be thinking of Kevin Parker from the very retro themed project Tame Impala. The album Lonerism is the group's second release, one which by the end of the year grabbed everyones attention, topping many "best of" and "top tens" lists for 2012. What makes Lonerism so attention grabbing is the shockingly Beatles esque vocals, and their heavy 60's synth lord influences. Song after song, this album produces bliss and euphoria through vast soundscapes and layers upon layers of synth. The song "Apocalypse Dreams" blasts you in the face with a big band sound and catchy verses. The track "Mind Mischief" is a 4 minute fullout jam with blazzing guitars and vocal harmonies. The track "Feels Like We Only Go Backwards" is pure hypnotism, while the track "Keep on Lying" is a journey of synths through samples and vocal cuts. The big kicker on this album is the track "Elephant", a head banger to which you will be hearing on many commercials to come. Finally the album ends beautifully with "Sun's Coming Up", a sweet tune that you might picture a sailor humming to. Overall Lonerism is a cosistent and fantastic record that you really must check out!

Aunque ninguna crítica lo dijera, fueron la gran sorpresa del Primavera 2013, con un concierto en donde sonaron un montón de canciones de "Lonerism". Este segundo trabajo supera todas las expectativas que crearon respecto a su primer disco, convirtiéndose en un disco a tener en cuenta: no hay ninguna canción mala y, en conjunto, forma un disco mágico, excepcional. Una mezcla perfecta de psicodelia y dream pop, con guiños constantes a Todd Rundgren, Beatles, Pink Floyd o Led Zeppelin, entre otros. En las tiendas nunca suele bajar de los 20 euros (lo he llegado a ver a 26 euros), así que si lo encuentras en Amazon por un precio inferior vale la pena pillárselo. La edición que se encuentra por aquí es el prensaje europeo de Modular: doble LP, carpeta abierta con las letras, de cartón algo fino pero bien acabado, con un pequeño ticket que incluye la descarga digital. ¿El mejor disco del 2012? Posiblemente...

オーストラリア出身、ケヴィン・パーカーによる独りプロジェクト。 2012年リリース、２枚目のスタジオ製作盤。 生ギターやアナログ・シンセ、ドスバタしたドラム等、数多くの楽器を多重録音して仕上げた労作。 サウンドはオルタナ宅録系、ニュー・サイケデリック、ファルセット多用のヴォーカル、各種効果音が特徴。 クラシカルなブリティッシュ・プログレや、センスフルなポップス、ガレージ、ノイズ等、実に多彩なサウンドスケープ。

Un extraordinario disco. El sonido bellísimo.