OneOdio Pro-30 Over Ear Headphone, Wired Premium Stereo Sound Headsets with 50mm Driver, Foldable Comfortable Headphones with Protein Earmuffs and Shareport for Recording Monitoring Podcast PC

Compared to my Beyerdynamic DT770 Pro 250Ohm, the Pro-30 performs better than expected. The DT770's CLEARLY have less mud in the higher frequencies. That's the major difference. The Pro-30 has better isolation, more bass and are very comfortable...good for DJ stuff maybe, and more in line with stuff like Beats or Skullkandies. For the price, these seem very hard to beat, but they aren't for studio mixing, unless all you're doing is beats. I challenge you to listen to CevinKey's song, Toymaker...the clarity of the highs can be tested extremely well with this track because when the high frequencies pops hit, towards the middle to end of the song, you can feel it as though you had poprocks in your mouth. Its an experience, and the DT770 performed better there.

I just got them. The look great. There L/R channels are clearly marked. The left headphones has the 1/4 " jack and the right a 3.5mm jack. There are two cords included (one 3.5 mm stereo male to 3.5mm TRRS male with mic(microphone) and button inline. The other cord is a 1/4" male stero to 3.5mm male stereo TRS). I will try them on shortly. There is also I decently cute carry bag. They do easily fit over my ears. The inside diameter is ~2 1\8 " or about 5 cm. Wearing the headphones without audio reduces ambient noise around 20-40% (rough estimate). They are not over tight, but feel secure and comfortable. They have a neat look reminiscent of headphones from a few decades back. The sound is great. There very clear at any level. In my opinion they block a significant amount of background noise. I like to listen to music as "screne" music when I'm walking, this involves drowning out from some to all of the background noise. These work great. At peak volume on my cellphone it's like having very clear 2 channel surround sound stereo and is intensley immersive. At mid volume I can whistle and barely notice it over my music. They are easy to not notice that you're wearing them aside of the music (this adds to the illusion that the sound is "around you.") Update 4 months later. I included some more pics with a reference object for size. The depth of the inside give ample room to not "scrunch"/ smash my ears. In 115° weather they get a Lil hit inside, but that's to be expected from a tight seal. I tend to be very hard on my headphones; these are in near perfect condition still (other than a drop of glue I got inside from an art project.) I sometimes use both inputs at once (bear in mind this can pass audio (or bias) from one device to the other. Both cords still work fine. These are one of my favorite headphones I've ever worn (I grew up playing with production equipment and am almost 50, so I've tried many headphones. The cups are true "over ear" headphones. If your into recording stereo audio I did some interesting tests. The supplied mic is mono, however I have begun using these as direct conduction stereo mics using the headphones as mic on my digital recorders. This is where audio travels through the back of the headphones from my body to the speaker, not through the diaphragm solely. I turn the headphones backwards and lie the hard part against my chest with the diaphragms out; this is not as designed, but works quite well. If your into that I'd try it. As far as the frequency response seems very natural, with good respince in tge high end. My hearing is not what it used to be and I can hear the crickets in these better than other earphones / headsets ; Its like having a part of life I wasn't able to enjoy ( krickets are ~ 7000 - 7200 Hz.) The cord with the 1/4" jack has a stretchy wound section that is nice, similarly to the old telephone cords, but not flattened. The shielding is very nice and doesn't seem to pickup any noise so far. I love these headphones. These are the only headphones I rember forgetting I was wearing in over 25 years; they rest very comfortably on my head, but don't "slip" around much at all. The over head cushion is very nicely made.

Let's face it my audiophile and/or sound enthusiast Homies, there are lots of inexpensive headphones out there of all types, and to be honest, if you do your homework, you can find quite a few of them that are quite satisfying. And if you can temporarily shelve that "condescending mindset about having to have higher cost audio gear" for a moment, you'll see what I'm talking about. Over the past 6 months or so, I've been on a binge of purchasing inexpensive (or relatively expensive) headphones from a variety of makers. And yes, some are - what appear to be - cheap Asian knock-offs. But some - noooo, make that quite a few - are very good in their audio qualities. Now do keep in mind that I also have more expensive Planars in my collection, but I just wanted to see what the cheaper lot had to offer. Now enter this model - generically known as the "Over Ear Headphone." It arrives in a nice box and is very, very light. I purchased the silver and brown model which has a nice rich look to it appearance-wise. Now, it's not made from titanium or any other more premium material - just lots of plastic and vinyl in this particular set of cans. After all, you're paying less than $40 USD for these, so keep your expectations real. Fit-wise, they are downright comfortable and for me, there is absolutely no need to upgrade the pads - they are plush and cover the ears perfectly. Now if your ears look the size of Walt Disney's Dumbo, then you may have issues. Now on to the sound. Now keep in mind that when I blog about and/or review audio gear, I tend to balance a variety of scenarios - mainly how much an item costs vs its performance levels. And this is a very good sounding headphone. Now, do not confuse "good" with "realistic." There are many pieces of audio gear out there that sound good (meaning pleasant), and there are fewer gear (in this case headphones) that sound stunning and realistic - and those are usually in the monitor category. I always evaluate audio gear using classical music, big band jazz, other orchestra types, conventional jazz, and Latin jazz. Why? Because the test of any audio gear is to see how it handles a variety of musical instruments, whether performing separately, or combined like in the full crescendo of a symphony orchestra or big band. Playing/evaluating headphones with hard rock or heavy metal doesn't do them justice (in my opinion of course). The Over Ear Headphone (what a dumb generic name) has a nice, rich sound quality to them which should please most listeners. Now for we audiophiles (and you know who you are), there is the feeling of having a slight veil over the music - almost as if somebody were listening to a performance seated behind a set of curtains. That is, they sound very good, but there is something missing - and that something is the lack of feeling like your being there. The music is well balanced and you can wear these headphones for a very long time without fatigue. There are some of the best cans in this price range, so keep that in mind. Now if you want to experience more of a realistic sound structure with excellent imaging, superb sound-staging, and more, add another $30 USD or so to your budget (putting you in the $60 to $80 price range) and you could do much better with the likes of the HiFiMan HE-35XS, or the Brainwavz Audio HM5, or the OKCSC-Zx-1 (with mods). Those 3 headphones render superb soundstaging, accurate instrument timbres, excellent image placement, hall ambience, and more! In the end, I'd have to say that using the much heralded Philips SHP-9500 cans and comparing them against this "Over the Ear" set of headphones, I prefer the Philips hands down. But again, if you're in the price range that these cans run for, you can't go wrong - plus they're very comfortable.

This review is for the brown/silver Oneaudio Pro 30 headphones. For the price you are not going to beat the sound quality. I have been difficult to please in audio products for years. Last few years as audiophile products prices has dropped I have been able to afford good quality audio equipment. My main headphones I now use are Sennheiser HD 6xx, Modded Monolith M650, various Sony bluetooth headphones. IEMS: Kzn AS10, Tin Audio T2 Po, Various Klipsh, Shure. First thing the sound. Listening was done with lossless and MQA files. For the price these are very well balance with enough detail to get an idea what audiophiles look for in quality sound. Highs have decent detail. Not what a sub $50 over the ear headphone normally produces. mids are nice. Again, well balanced with decent detail. Well placed at just under forward sounding. Bass is strong without being boomy. Decent detail. high bass is acceptable and does not muddy the lower mids ACCEPT in music with more complicated lower mid accompanied with lots of bass . Over long listening sessions I felt the need to turn it down a bit but I did not feel it unpleasant. It's hard to peg down the sound style. It's not a V shaped sound as the highs are not pronounced and the bass while not overdone is a bit higher then most flat clinical headphones. These general sound better then 95% of the headphones at this price range. Sound-stage is good for a closed back headphone, especially for the price range. Instrument separation is good. General clarity is good. I have a hard time saying these would be good for STUDIO mixing as the emphasis on bass is a bit high for mixing since you would want as flat as response as possible. These are fun to relax and listen to. Again this is all better then what you would expect at this price range. Even in today's tough market. After sitting for hours with them I feel they are so close audiophile sound it's unbelievable at this price. Comfort. Very comfortable and light. The pads are deep and soft. Again almost unheard of at this price range. Good clamping force. Soft headband. Only thing I noticed is slightly warm around the ears over an hour or two but nothing uncomfortable. Build. Here is where it gets tricky. First off its not bad for the price. I would love to see them with less plastic. They have opted for low cost bulky plastic components. I believe they are bulky to give them extra strength. This isn't unusual in the lower cost market but I have seen better designs from competitors but with lower quality sound. The drivers are where it shines with a 90 mm higher quality driver. A good choice. Excellent comfort. You can tell they spent time to get the whole package right. No loose, weak or creaky parts or joints! If they had made these with more metal components I would have been shocked. Design: Casual with enough small detail. Definitely not fashion cans like Beats but I feel they are on the edge of "bulky". I understandable this is to give the plastic extra strength. Overall they did an excellent job deciding where to go with cutting costs and still making a good product. Although they don't go into great detail and emphasis on the warranty but it is better then average with a full year. I have heard it mentioned elsewhere that it's two years but can't confirm it. I hope this is just the beginning for them. I can seem them building on this start to get their name out there and I will definitely be keeping an eye on this company. Hopefully we will see them making headphones with better materials but keeping the same attention to balancing the sound with comfort.

sound amazing, and comfortable,. would recommend getting an amp if using with pc, at least mine had very low volume before an amp

I have been looking for a good set of cans that would compete with some of the others that I have had in the past. I have been a big fan of the Sony MDR-XB700, XB900, XB950BT mostly for the bass heavy response and amazing all day head wear. the issue is that Sony stopped making these and the 910 and 901BT units are a joke to the line (IMHO).... I have tried other from SkullCandy such as the hash and earlier crushers... while these make your head thump it is an artificial thump and so painful as it is more of a shake vs thump, on top of that the clamping force is INSANE with the hash units. I thought about getting a set of MDX-50x units, but after having the 30, 40 and original 50s I was not that impressed. If you are not using a DAC on a laptop with those they started to drop off after a bit or needed a lot of EQ work to really make them sound good. Now to these cans. I have to say I have never had anything from them and at $40 I was not expecting a lot of them. I was looking for a cans that did not sound like I strapped a couple soup cans to my ears and ran electricity to them. I also would prefer that they NOT look like crap, or some flashy weirdness. These fit the bill. PROS: Looks are clean and simple... Included both a partially coiled 1/4 to 1/8 and 1/8-1/8 male-male (both) for connecting either ear cup. Cords are long enough to sit on a laptop and you can move your head not worrying your laptop is coming with you Sound profile is much deeper on the bass side can pads are thick and plush CONS: super light clamping force causes the cups to swivel if your ears don't fit perfectly inside headband pad is a brick... I can only wear these maybe an hour and it feels like I had a stone sitting on my head units are fully plastic so I am not sure about the longevity if going in an out of a bag all the time miss are 100% lost in the sound profile... since the bass is so pronounced, they boosted the tweeters to try and fill out the sound. this just causes that middle area to disappear I am mostly a EDM, METAL listener but I love classic much also. I listened to a few hours of much from Elephunt, Metallica, Bach, Chemical Brothers, Beastie Boys and mudvayne... I did not test any Jazz, Folk, Country as I could not appreciate the subtleness of the sounds since I do not know them. CONCLUSION: For the most part my style of music with the volume up and a the eq tweaked to a little flatter profile they are amazing for $40 cans. They will NOT compete with the Sony XBR, the MDX50x in overall profile of sound though. If that is what you want then you have to spend 3-4X the costs of these. Would I suggest these to people... that is a tough call, again you need to have a total desire for a deep bass profile on music, and willing to understand you will have to take these off after an hour or so to allow the dent in your head to subside. If the company could put some of the same care to the band padding they did with the can covers then different story. I also wish the cans were a little larger in the opening... I don't have huge ears, but I had to tuck the top of my ear into the cup area to get them to sit flush on my head. overall again at $40 I suspect they will last me about a year or so of 4-5hr a day usage 6x a week at work and so that is a good investment. I am not 100% sure I would buy another pair though without some upgrades in the cushioning as a good sound that you cannot listen to is not worth any cost.

The best (and most expensive) dynamic, circumaural (over-ear) headphones I've ever personally owned are the Crossfade M-100 by V-Moda. Therefore, this review of the OneOdio Studio Pro-30 DJ Headphone will partially consist of the comparative differences between/similarities to my personal "reference" V-Moda Crossfade M-100 which, at six-and-three-quarter times (!) the price, are superior in a couple of ways to the Studio Pro-30 DJ Headphone by OneOdio. While the V-Moda Crossfade M-100 are physically better equipped than the OneOdio Studio Pro-30 to withstand less than ideal conditions and/or abusive mishandling, one expectedly pays a premium for those qualities. Conversely, should one endeavor to refrain from mistreating the OneOdio Studio Pro-30 DJ Headphone, there's no reason that they shouldn't last as long as the V-Moda Crossfade M-100. But, even if they didn't last as long, the Studio Pro-30 are replaceable for a fraction of the cost of the Crossfade M-100. I believe that comfortable wear in a headphone is important, as is robust construction, and aesthetics. For me, when it comes to consideration of any headphone for purchase, the quality and character of audio reproduced by the headphone drivers themselves is paramount, forming the basis of my buying decision. The critical sonic characteristics of atmosphere, purity, naturalness, transparency, presence, immediacy, dynamics, soundfield depth, soundstage dimensionality, imaging stability and width, and elevated, but smooth, fluid, deep-bass reproduction are all as present (deep bass frequencies slightly more so) in the OneOdio Studio Pro-30 DJ Headphone as in the V-Moda Crossfade M-100. Have I mentioned that the OneOdio Studio Pro-30 sells for less than one-sixth the price of the V-Moda Crossfade M-100? While the V-Moda Crossfade M-100 may be more "accurate" in overall frequency response, to my ears, the OneOdio Studio Pro-30 DJ Headphone comes remarkably close to the performance of the Crossfade M-100. I learned this by way of direct, simultaneous, comparison by plugging both headphone pairs into the dual, stereo output jacks of a Parasound Zdac v.2 DAC & Headphone Amp playing familiar, well recorded material of CD quality or better, while listening to the left phone of the Crossfade M-100 on my left ear, and the right phone of the Studio Pro-30 on my right ear. Both the V-Moda Crossfade M-100 and the OneOdio Studio Pro-30 are spec'd at 32 Ohms, so I expected similar sensitivity, and I was right. To my ears, with the exception of producing slightly more bass, the performance of the OneOdio Studio Pro-30 was nearly indistinguishable over the remainder of the audio frequency spectrum from that of the V-Moda Crossfade M-100. The OneOdio Studio Pro-30 DJ Headphone provides luxurious comfort unsurpassed by any other circumaural, dynamic headphone, in my experience. This is important if one intends to listen for long periods, as I often do. Though the OneOdio Studio Pro-30 in no wise provides complete environmental noise isolation (having been designed more to keep sound in, than noise out, I suspect), their luxuriously thick, stylishly attractive, memory-foam padded, ultra-soft, brown, protein leather ear cushions and headband provide hours of non-fatiguing, blissful listening comfort and enjoyment. After all, no headphone that's miserably uncomfortable to wear is going to "make the grade" for long listening sessions, and the OneOdio Studio Pro-30 excels at comfort far, far beyond it's price point in my experience. This is not to say that the V-Moda Crossfade M-100 headphones are uncomfortable, just that they are not as comfortable for extended periods of wear compared to the OneOdio Studio Pro-30 DJ Headphone. Accessories OneOdio chose to include with the Studio Pro-30 are thoughtful, if not of the finest quality. In the box, I found an owner's manual and a nice, attractive, black, carry/storage bag with soft, red, nylon drawstrings and embossed OneOdio company logo on the front. Also included were a pair of separate connection cables; a black, microphone-integrated TRRS cable intended for use with a cellular telephone, and a brown (matching the 'phones accouterments), reversible, stereo TRS cable which can be variously configured to accommodate differing situational requirements that are all detailed and explained in the included instruction manual. Unfortunately, these stock cables seem to be made of relatively inexpensive, thin, quite stiff, low-to-average quality materials. To me this comes as no surprise in light of the OneOdio Studio Pro-30's low price. It seems a logical trade-off, since the sound reproduction quality of the Studio Pro-30 headphones themselves is where R&D funds and efforts were best expended. And, though the included cables (such as they are) handily serve their function, it's unlikely anyone's buying the OneOdio Studio Pro-30 DJ Headphone for the included cables, anyway. For these reasons, I chose to replace the included stereo TRS cable with a thick, flexible, quality, hand-made, professional-grade, shielded, stereo, aftermarket, TRS audio cable by Nanyi, and then placed a snap-on ferrite core RF (Radio Frequency) filter on the end closest to the 'phones. This decision, to my hopeful expectation and delight, elevated the already high-performing Studio Pro-30's performance even higher! In the interest of being thorough, I probably should mention that the mechanical articulation range of the Studio Pro-30 seems an issue of contention for some. Being marketed for use as "DJ" headphones, their earcups are, as some describe them, rather "loose" and "floppy" and, compared to the V-Moda Crossfade M-100 (also marketed as a "DJ" headphone) and, perhaps, some other model brands, I suppose that they are. However, I do not personally view this, necessarily, as being a "negative". And, in consideration of their sound reproduction quality, extreme comfort and relatively low cost, I can't see why anyone should consider increased mechanical articulation to be a 'deal breaker', especially a DJ. I will say that the Studio Pro-30's joints do tend to "creak" somewhat while wearing during the break in period, but in an generally unobtrusive way which seems to gradually lesson as time goes by, just as one might expect it to. Again, not something that should disqualify them from consideration. But, to each their own. Are the OneOdio Studio Pro-30 headphones perfect? No. Are they an "audiophile" item? Not really, though there's more here for the average audiophile to like, than to dislike, in my opinion. Are there "better" headphones available? Certainly. However, in regards to price versus performance, headphone enthusiasts on a budget (or not) should rejoice over the OneOdio Studio Pro-30 DJ Headphone. And, I would hesitate not at all in recommending them to anyone seeking an affordable, quality, full-size, luxuriously comfortable, stylishly handsome, circumaural, closed-back, dynamic headphone that does so much "right" and all for the right price, making them an outstanding value indeed. Proof, to be sure, that one need not spend a lot to get a lot. What's more, the OneOdio Studio Pro-30 DJ Headphone comes standard with an on-line activated, 24-month manufacturer's warrantee, demonstrating OneOdio's confidence in the design, quality, reliability and fidelity of their impressive Studio Pro-30 DJ Headphones.

These have worked like a boss since I purchased them. Not a bad price since they seem to be lasting awhile unlike most things nowadays

Bought to do guitar practice. They look fantastic frankly. Don't look too close though, still a bit plasticky. Sound good for price. Fit good on smaller heads. Nice carry bag. Make for good photo ops if you need nice looking unknown Brand headset that looks premium. Sausage dog compatible.

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Got it for listening music and watching videos. Turn out to be only good for club music and that's that.

I've been using this October 2019 and I am very happy with the purchase I made. Its slightly heavy on the bass but overall feels okay not like those heavy bass headsets. The Mids and Highs are decent. The Dual Input is something I appreciate having plugged one end into the phone/tablet and other into an instrument /amplifier. Great for Tutorial Apps. The Cushions are brilliant and comfortable for long usage (read 4-5 hours at one go). It does get sweaty but thats a part of wearing it for long hours anyways (I just flip one for few minutes and then other without actually taking it off entirely). The quality of the microphone is also decent where I've used it for Skype calls and no one ever had to complain about not being able to hear me well. Even the multiplayer games on Console or PC works just great with these. I got this on sale and money spent was absolutely worth it and will recommend it to all who are looking at high quality headsets at affordable price point. Update: Jun 2020 Been using these headsets since October 2019 and they are still going strong and nice. So much that I am planning to pick up their A70 Fusion or the A3 with Noise Cancellation ones to go along with. Update: 2021 The headphones came apart. They just broke off and nothing I can do can set it right. Guess the build quality was just that much.

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