




The Sergio Leone spaghetti westerns did not simply add a new chapter to the genre...they reinvented it. From his shockingly violent and stylized breakthrough, A Fistful Of Dollars, to the film Quentin Tarantino calls the best-directed movie of all time, The Good, The Bad And The Ugly, Leone s vision elevated Westerns to an entirely new art form. This definitive Leone collection of the most ambitious and influential Westerns ever made includes over five hours of special features that uncover buried gold in these gritty classics plus a NEWLY REMASTERED version of The Good, The Bad And The Ugly.Disc 1: A Fistful of Dollars Blu-ray Disc 2: For a Few Dollars More Blu-ray Disc 3: The Good, The Bad And The Ugly Remastered Blu-ray **Commentary on all three films **Behind-the-scenes interviews with cast and crew including Clint Eastwood **Deleted Scenes and much more! Review: One of the best westren trilogy ever - The Dollars Trilogy also known as the Man with No Name Trilogy is an Italian series consisting of three Spaghetti Western films directed by Sergio Leone. The films are titled A Fistful of Dollars (1964), For a Few Dollars More (1965) and The Good, the Bad and the Ugly (1966). United Artists distributed their English versions, while Unidis and PEA distributed the Italian ones. The series has become known for establishing the Spaghetti Western genre and inspiring the creation of many more Spaghetti Western films. The three films are consistently listed among the best-rated Western films in history. Although not Leone's intention, the three films came to be considered a trilogy following the exploits of the same so-called "Man with No Name" (portrayed by Clint Eastwood, wearing the same clothes and acting with the same mannerisms). The "Man with No Name" concept was invented by the American distributor United Artists, looking for a strong angle to sell the films as a trilogy. Eastwood's character does indeed have a name (albeit a nickname) and a different one in each film: "Joe", "Manco" and "Blondie", respectively. A Fistful of Dollars The first film has the Man with No Name arriving, for unexplained reasons, in the Mexico–United States border town of San Miguel, the base of two rival smuggling families, the Rojos and the Baxters. The Man with No Name (referred to by the old undertaker Piripero as "Joe") decides to play them against each other by collecting prizes for giving information, capturing prisoners and killing men, while also helping a woman, her husband and their son, held captive by the ruthless Ramón Rojo, to escape. He is discovered by the Rojos and tortured but escapes. The Rojos massacre the unarmed Baxters while searching for him, but helped by Piripero he is hiding away from the town. The Man with No Name returns as the Rojos prepare to hang the local innkeeper Silvanito, who had befriended him. He cold-bloodedly kills Don Miguel Rojo, uses his last bullet to free Silvanito, and engages and kills Ramón in a gunslinging duel. After the last remaining Rojo brother, Esteban, is killed by Silvanito while trying to shoot from a window, the Man with No Name – knowing that the US and Mexican governments will investigate – departs from the now-peaceful town A Fistful of Dollars is an unofficial remake of Akira Kurosawa's 1961 film Yojimbo starring Toshiro Mifune, which resulted in a successful lawsuit by Toho. For a Few Dollars More The second film introduces the Man with No Name (here nicknamed "Manco") as a bounty hunter killing bandits for money, as well as Colonel Douglas Mortimer, a middle-aged bounty hunter hunting for the same criminals. Both searching for the psychopathic Mexican bandit known as "El Indio", who just escaped from jail, they initially rival each other, but then understand that, to kill him, they must work together. Manco infiltrates El Indio's gang, while Mortimer acts from the outside. Manco discovers El Indio's elaborate plot to rob the Bank of El Paso and is forced to take part in it, though he manages not to wound any innocents. Later, El Indio transfers his gang to Agua Caliente, Mexico, where Manco and Mortimer attempt to steal the money to take it back to the Bank. El Indio discovers their plot but lets them escape as part of an operation to murder all but one of his associates to split the money in two instead of with the entire gang. A battle ensues between the bounty hunters and the bandits, according to El Indio's plan, as the two successfully kill all of them, and the one El Indio meant to spare is also killed. In the end, Manco discovers that Mortimer's hunt for El Indio is far more personal than his own, and lets him kill the bandit personally in a duel. Mortimer lets Manco keep all the money, and, now in peace with his past, rides away. Manco piles the bandit corpses in a horse-drawn cart and rides away with the stolen bank money to collect his bounty earnings. The Good, the Bad and the Ugly In the third film, set during the American Civil War, Mexican bandit Tuco Ramírez and the Man with No Name (whom Tuco calls "Blondie") work together to scam small towns: Blondie will collect the bounties on Tuco and then free him as he is about to be hanged. Meanwhile, a mercenary named "Angel Eyes" is shown to be searching for a man named "Jackson", who has stolen 200,000 dollars from the Confederate Army. Angel Eyes threatens the family of one of Jackson's former accomplices and learns that Jackson now goes under the alias of "Bill Carson" (who has already murdered both of his original accomplices). The partnership between Blondie and Tuco sours when Tuco complains that being repeatedly placed in a noose with only a single bullet standing between himself and death demands a larger cut than 50/50; Blondie immediately betrays Tuco, saying "The way back to town is only 70 miles... if a man like you holds your breath, I think you can manage it". Blondie is later caught out and tortured by a vengeful Tuco who first tries to put Blondie in a noose, but the raging war encroaches and drives them apart. Tuco then catches Blondie and drags him through "this hell [...] a hundred miles, that's a nice walk": the high desert. Tuco's erstwhile revenge is interrupted when they stumble upon a Confederate carriage carrying the bullet-riddled and barely alive Bill Carson. Carson, bleeding and desperate for water, tells Tuco the name of the cemetery in which the gold is hidden – but while Tuco goes to get water, a dying Blondie manages to crawl past and get the name of the grave in which the treasure is buried just as Carson dies. Tuco realizes that he can't find the bounty without Blondie. The two form an uneasy alliance. During their journey to the treasure, they are arrested by Union Army soldiers and brought to a prison camp in which Angel Eyes is posing as a Sergeant. Angel Eyes tortures Tuco into revealing his half of the secret and recruits Blondie to show him the grave. All three ultimately leave the prison. Blondie, Tuco, and Angel Eyes commence a game of betrayal and subterfuge. Tuco and Blondie are blocked by a brutal conflict between the Union and the Confederacy. Blondie subsequently tricks Tuco into revealing the name of the cemetery. The gunslingers eventually arrive at the graveyard where the treasure is hidden but find themselves in a three-way standoff with victory uncertain for anyone. Blondie takes up a burnt-ended cigar and a rock; he tells the others that he will write the name of the grave marker on the bottom of a stone. He then places the stone in the middle of the cemetery, and the film's iconic "Mexican standoff" duel begins. After the duel, Blondie takes half of the money and leaves Tuco in a noose, balancing on an unstable gravestone. Blondie rides into the distance as Tuco curses him loudly. After Tuco nearly hangs himself, Blondie frees him from a distance using his rifle. The Good, the Bad and the Ugly was released on 29 December. The original Italian domestic version was 177 minutes long, but the international version was shown at various lengths. Most prints, specifically those shown in the United States, had a runtime of 161 minutes, 16 minutes shorter than the Italian premiere version, but others, especially British prints, ran as short as 148 minutes. The Dollar Trilogy is a masterpiece of Western filmmaking, Sergio Leone's signature long-drawn and close-up style of filming, sweeping long shots and extreme face close up with an excellent score, soundtrack from Ennio Morricone make these a pleasure to own a watch. Review: Good quality - The films were in very mint condition, worth its value of money.

| ASIN | B00HZN8TBC |
| Best Sellers Rank | 38,403 in DVD & Blu-ray ( See Top 100 in DVD & Blu-ray ) 648 in Western (DVD & Blu-ray) 13,537 in Blu-ray |
| Customer reviews | 4.8 4.8 out of 5 stars (3,429) |
| Dubbed: | French, Spanish |
| Is discontinued by manufacturer | No |
| Item model number | 28939161 |
| Language | English |
| Media Format | Blu-ray |
| Number of discs | 3 |
| Product Dimensions | 1.78 x 19.05 x 13.72 cm; 0.67 g |
| Subtitles: | English, French, Spanish |
M**N
One of the best westren trilogy ever
The Dollars Trilogy also known as the Man with No Name Trilogy is an Italian series consisting of three Spaghetti Western films directed by Sergio Leone. The films are titled A Fistful of Dollars (1964), For a Few Dollars More (1965) and The Good, the Bad and the Ugly (1966). United Artists distributed their English versions, while Unidis and PEA distributed the Italian ones. The series has become known for establishing the Spaghetti Western genre and inspiring the creation of many more Spaghetti Western films. The three films are consistently listed among the best-rated Western films in history. Although not Leone's intention, the three films came to be considered a trilogy following the exploits of the same so-called "Man with No Name" (portrayed by Clint Eastwood, wearing the same clothes and acting with the same mannerisms). The "Man with No Name" concept was invented by the American distributor United Artists, looking for a strong angle to sell the films as a trilogy. Eastwood's character does indeed have a name (albeit a nickname) and a different one in each film: "Joe", "Manco" and "Blondie", respectively. A Fistful of Dollars The first film has the Man with No Name arriving, for unexplained reasons, in the Mexico–United States border town of San Miguel, the base of two rival smuggling families, the Rojos and the Baxters. The Man with No Name (referred to by the old undertaker Piripero as "Joe") decides to play them against each other by collecting prizes for giving information, capturing prisoners and killing men, while also helping a woman, her husband and their son, held captive by the ruthless Ramón Rojo, to escape. He is discovered by the Rojos and tortured but escapes. The Rojos massacre the unarmed Baxters while searching for him, but helped by Piripero he is hiding away from the town. The Man with No Name returns as the Rojos prepare to hang the local innkeeper Silvanito, who had befriended him. He cold-bloodedly kills Don Miguel Rojo, uses his last bullet to free Silvanito, and engages and kills Ramón in a gunslinging duel. After the last remaining Rojo brother, Esteban, is killed by Silvanito while trying to shoot from a window, the Man with No Name – knowing that the US and Mexican governments will investigate – departs from the now-peaceful town A Fistful of Dollars is an unofficial remake of Akira Kurosawa's 1961 film Yojimbo starring Toshiro Mifune, which resulted in a successful lawsuit by Toho. For a Few Dollars More The second film introduces the Man with No Name (here nicknamed "Manco") as a bounty hunter killing bandits for money, as well as Colonel Douglas Mortimer, a middle-aged bounty hunter hunting for the same criminals. Both searching for the psychopathic Mexican bandit known as "El Indio", who just escaped from jail, they initially rival each other, but then understand that, to kill him, they must work together. Manco infiltrates El Indio's gang, while Mortimer acts from the outside. Manco discovers El Indio's elaborate plot to rob the Bank of El Paso and is forced to take part in it, though he manages not to wound any innocents. Later, El Indio transfers his gang to Agua Caliente, Mexico, where Manco and Mortimer attempt to steal the money to take it back to the Bank. El Indio discovers their plot but lets them escape as part of an operation to murder all but one of his associates to split the money in two instead of with the entire gang. A battle ensues between the bounty hunters and the bandits, according to El Indio's plan, as the two successfully kill all of them, and the one El Indio meant to spare is also killed. In the end, Manco discovers that Mortimer's hunt for El Indio is far more personal than his own, and lets him kill the bandit personally in a duel. Mortimer lets Manco keep all the money, and, now in peace with his past, rides away. Manco piles the bandit corpses in a horse-drawn cart and rides away with the stolen bank money to collect his bounty earnings. The Good, the Bad and the Ugly In the third film, set during the American Civil War, Mexican bandit Tuco Ramírez and the Man with No Name (whom Tuco calls "Blondie") work together to scam small towns: Blondie will collect the bounties on Tuco and then free him as he is about to be hanged. Meanwhile, a mercenary named "Angel Eyes" is shown to be searching for a man named "Jackson", who has stolen 200,000 dollars from the Confederate Army. Angel Eyes threatens the family of one of Jackson's former accomplices and learns that Jackson now goes under the alias of "Bill Carson" (who has already murdered both of his original accomplices). The partnership between Blondie and Tuco sours when Tuco complains that being repeatedly placed in a noose with only a single bullet standing between himself and death demands a larger cut than 50/50; Blondie immediately betrays Tuco, saying "The way back to town is only 70 miles... if a man like you holds your breath, I think you can manage it". Blondie is later caught out and tortured by a vengeful Tuco who first tries to put Blondie in a noose, but the raging war encroaches and drives them apart. Tuco then catches Blondie and drags him through "this hell [...] a hundred miles, that's a nice walk": the high desert. Tuco's erstwhile revenge is interrupted when they stumble upon a Confederate carriage carrying the bullet-riddled and barely alive Bill Carson. Carson, bleeding and desperate for water, tells Tuco the name of the cemetery in which the gold is hidden – but while Tuco goes to get water, a dying Blondie manages to crawl past and get the name of the grave in which the treasure is buried just as Carson dies. Tuco realizes that he can't find the bounty without Blondie. The two form an uneasy alliance. During their journey to the treasure, they are arrested by Union Army soldiers and brought to a prison camp in which Angel Eyes is posing as a Sergeant. Angel Eyes tortures Tuco into revealing his half of the secret and recruits Blondie to show him the grave. All three ultimately leave the prison. Blondie, Tuco, and Angel Eyes commence a game of betrayal and subterfuge. Tuco and Blondie are blocked by a brutal conflict between the Union and the Confederacy. Blondie subsequently tricks Tuco into revealing the name of the cemetery. The gunslingers eventually arrive at the graveyard where the treasure is hidden but find themselves in a three-way standoff with victory uncertain for anyone. Blondie takes up a burnt-ended cigar and a rock; he tells the others that he will write the name of the grave marker on the bottom of a stone. He then places the stone in the middle of the cemetery, and the film's iconic "Mexican standoff" duel begins. After the duel, Blondie takes half of the money and leaves Tuco in a noose, balancing on an unstable gravestone. Blondie rides into the distance as Tuco curses him loudly. After Tuco nearly hangs himself, Blondie frees him from a distance using his rifle. The Good, the Bad and the Ugly was released on 29 December. The original Italian domestic version was 177 minutes long, but the international version was shown at various lengths. Most prints, specifically those shown in the United States, had a runtime of 161 minutes, 16 minutes shorter than the Italian premiere version, but others, especially British prints, ran as short as 148 minutes. The Dollar Trilogy is a masterpiece of Western filmmaking, Sergio Leone's signature long-drawn and close-up style of filming, sweeping long shots and extreme face close up with an excellent score, soundtrack from Ennio Morricone make these a pleasure to own a watch.
M**R
Good quality
The films were in very mint condition, worth its value of money.
S**X
The Best DVD Western Trilogy
These Spaghetti Westerns were inspired and influenced by Akira Kurosawa and the outcome is a classc-cult trilogy featuring the Man with no name, Clint Eastwood. He is a real angel come down to rid the world of the evil. Clint Eastwood is born for this role and no one anywhere can can anywhere near him. One of my all-time idols whom I always look up to. GOD BLESS YOU, DEAR RESPECTED CLINT EASTWOOD.
R**S
Epic Masterpieces
No modern films can match these magnificent movies. Faultless picture and sound quality, and loaded with extras. Watched them on my new projector for the full cinema experience. Best £10 I ever spent.
M**N
Great trilogy
Great trilogy
A**B
Excellent Trilogy
A classic spag bol western set on blu ray at a great price.
S**N
pleased with this
pleased with this
J**N
Pull the trigger and collect your bounty
I visited the movie set where these were made this year, had them on dvd and decided to buy the blue ray versions, I thought that they would be more expensive so I was delighted with this purchase, movies look great on my series x but I might upgrade my player next, highly recommended if you love Sergio leones trilogy you won’t be disappointed.
V**Z
J'ai acheté ce coffret car "Pour une poignée de dollars" n'est jamais sorti en DVD par chez nous : problèmes de droits sur la VF... Et comme je souhaitais avoir les trois films d'un coup, je me suis tourné vers ce coffret, alléché par le fait que les autres VF devaient y figurer. Je l'ai reçu aujourd'hui, et : - Pour une poignée de dollars : VOSTFR (normal) ; - Pour quelques dollars de plus : VOSTFR / VF (comme indiqué) ; - Le bon, la brute et le truand : VOSTFR... et pas de VF alors que c'est marqué sur le boîtier du DVD ! Je suis donc un peu ennuyé de ne pas avoir droit à ça, la VF étant tout de même excellente. M'enfin, avoir la trilogie pour moins de 20 €, c'est déjà beau. Je précise tout de même pour les têtes en l'air que les DVD sont en zone 1, donc illisibles chez nous sur les platines de salon et même sur PC. Il faut trouver le code de dézonage de son lecteur ou bien utiliser un logiciel comme AnyDVD sur PC. Une dernière chose : l'image n'est pas de bonne qualité, il n'y a eu aucune restauration.
G**E
This is a must-have collection for any man, or any lover of film. Sergio Leone invented the so-called "spaghetti western" -- Spanish western -- with this trilogy. Eastwood became a Hollywood star thanks to the huge boost that these Spanish films gave him. The movies introduce a silent, intelligent American drifter with a lightning-fast draw and dead-on accuracy, plus a knack for getting in over his head and back out again. The films are often remembered for their stunning dramatic effect, but it should be noted that Leone had a witty sense of humour and if you watch these films carefully you should be delighted by it. Right down to the fact that the boys in his films are pretty-faced and the adults are worn with wrinkles; the tragedy of adult sacrifice. His satircal edge and drama are as well balanced as the elements of realism and tall tale. As fun to watch as they are striking in believability, as sorrowful as they are touching, this is a classic series not to be missed! On this package, two of my DVDs were actually from the "Best of Eastwood" collection. I don't know if this was a mistake in packaging or if they ran out of the right kind. But the visual quality seems good, and so I am satisfied with the error. With the collection as I received it, there are no real extra features as such. The eddition of prieviously edited out scenes was a mistake; they were taken out for good reason. They are great to see, enjoyable for a real fan of Leone's like myself, however I would have liked it better to have had a version of "The Good, the Bad and the Ugly" without those scenes in it. But to have three of the best westerns ever made ("The Good, the Bad and the Ugly" being THE best), I am happy.
R**N
.....No esta doblado en español,pero tienes el audio en el ingles original y subtitulos para sordos en ingles.la calidad de las restauraciones es suprema y estan llenos de extras como documentales sobre sergio leone,entrevistas con clint eastwood o audiocomentarios del especialista en leone sir christopher frayling.por este precio,olvidate de las peladas ediciones de divisa!
M**D
As a kid my mom.loved Clint Eastwood spaghetti westerns. However she always watched them on VHS. While she is no longer here I decided to buy this to see if my mother was right... She was. Not only are they all great films, but each film has been digitally remastered with sharp and clear picture and sound. With a 4K television each film is awesome and so detailed A+
A**S
Two of the Blu ray cases were fine but the one for 'For a few dollars more' was cracked and one side broken away from the hinge. Box was abit bent out of shape as well
Trustpilot
2 months ago
1 month ago