

Buy A Poetry Handbook: A Prose Guide to Understanding and Writing Poetry First Edition by Oliver, Mary (ISBN: 9780156724005) from desertcart's Book Store. Everyday low prices and free delivery on eligible orders. Review: Informative - Nice informative book Review: Superb - Wonderful book that shines a light behind Mary Oliver's amazing ability to write poetry that appears deceptively simple but carries great meaning and reflection. An invaluable addition to any aspiring poet's library

































| ASIN | 0156724006 |
| Best Sellers Rank | 15,056 in Books ( See Top 100 in Books ) 10 in Criticism on Poetry & Poets 102 in Poetry Genres 344 in Language Study & Reference |
| Customer reviews | 4.6 4.6 out of 5 stars (1,940) |
| Dimensions | 13.49 x 0.97 x 20.32 cm |
| Edition | First Edition |
| ISBN-10 | 9780156724005 |
| ISBN-13 | 978-0156724005 |
| Item weight | 294 g |
| Language | English |
| Print length | 130 pages |
| Publication date | 25 April 2024 |
| Publisher | Ecco |
| Reading age | 14 years and up |
M**S
Informative
Nice informative book
M**Y
Superb
Wonderful book that shines a light behind Mary Oliver's amazing ability to write poetry that appears deceptively simple but carries great meaning and reflection. An invaluable addition to any aspiring poet's library
S**H
Worth the read if you want to write poetry
This was a gift for my husband who has started writing poetry during lockdown. Although he has said it was heavy reading he has found it really helpful, so I guess I would recommend it!
B**R
Well worth reading
At some points in this book I was surprised by how rigid Oliver's ideas about poetry are, since her poems themselves come across as so wildly intense and beautiful. There were moments where the way she described the effect that certain line lengths or rhythms or devices have, and it felt a little cold. BUT having said that, it's written very clearly and I felt at most points that she was on the money. She pointed out many things about the effects of different, for examples, meters that I hadn't noticed before. And she talked about writing poetry in a way that introduced several new ideas to my thinking. Overall I got a lot out of it. My thinking has become more nuanced as a result. She also has a very encouraging attitude towards how great poetry gets written - i.e. it's mostly about hard work, not about being special or inspired.
T**H
Great Guide
A fantastic guide to poetry. I bought it because it was on my reading list for university, but it's a smashing book for anyone interested in poetry. I loved reading it, and really enjoyed Mary Oliver's writing - she is very accessible. I know I will return to this book over and over.
M**E
Calm, honest and welcoming
I am only halfway through the book at this writing but I am very happy I purchased it as it is a very sane and simple, honest and thoughtful, calm book about poetry. The author is low on bells and whistles it is just simple direct advice and musings.
D**N
Excellent guide
The title and subtitle say it all. It's a fine introduction, pithy and wise; one of my favourites.
S**S
Good advice
Information is long winded, and revisits points already made.
N**S
Una autora magnífica que nos dejó unos poemas (y prosa) que son pura belleza Y en este libro sus consideraciones, su íntima guía poética se revelan imprescindibles
C**N
After reading this, I'll surely go on with "Rules for the dance", the following book about poetry. Mary is the best.
F**E
Grande autora!
J**T
Mary Oliver is a well-known, distinguished poet. Her book "A Poetry Handbook" was recommended to me by a professor from my current MFA Poetry program and it has been both a surprise, and a confirmation that poets themselves (not academics and critics) have the deepest insight into how to write a good poem. Oliver suggests that poetry is like a current ready to flow through you. It is not merely "an acquisition," a skill, or something outside yourself - but more a combination of punctuality in "showing up" to do the work, and an opening of the heart (or,as Oliver calls it: "that shy factory of the emotion.") Each chapter addresses component parts of poetry writing: line, sound, diction, imagery, voice and more. Oliver's choice of poets: Whitman, Bishop, James Wright, Frost, Pound, are all strong choices, their poems providing supportive examples of her discussion of craft. Most importantly, however, she provides the best piece of advise in her opening chapters: read, read, read poems. To be a good poet, you must read a range of poetry, spanning history and geography and style. And after that, Oliver provides the surprise (a heady permission I learned in my very early years of writing which has held fast through many moments of flagging confidence and motivation) "Imitate." We read, we imitate, and from this process we find our own voice and style. As Oliver tells us: "It demands finally, a thrust of our own imagination - a force, a new idea - to make sure that we don't merely copy, but inherit, and proceed from what we have learned." Though beautifully simple and straightforward, I would not categorize this book as being for any particular level of writer: beginner, or accomplished. The beginner will learn well and happily, and the more accomplished writer will find again and again, much needed resonance for the continuing passion of writing poetry.
E**O
Llegó en la fecha indicada y en buen estado. El libro me está resultando muy útil, es sencillo y claro en sus ejemplos. Va dirigido a quien quiere aprender a leer poesía, o a escribir. Es un buen inicio.
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